Celestial bodies : a novel /

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Bibliographic Details
Author / Creator:Ḥārithī, Jūkhah, author.
Uniform title:Sayyidāt al-qamar. English
Imprint:New York : Catapult, 2019.
Description:xi, 243 pages : genealogical table ; 21 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11963008
Hidden Bibliographic Details
Other authors / contributors:Booth, Marilyn, translator.
ISBN:9781948226943
1948226944
Notes:First published in Oman in 2010.
Translated from Arabic.
Summary:"In the village of al-Awafi in Oman, we encounter three sisters: Mayya, who marries after a heartbreak; Asma, who marries from a sense of duty; and Khawla, who chooses to refuse all offers and await a reunion with the man she loves, who has emigrated to Canada. These three women and their families, their losses and loves, unspool ... against a backdrop of a rapidly changing Oman, a country evolving from a traditional, slave-owning society into its complex present"--Publisher marketing.

Mayya, forever immersed in her Singer sewing machine, seemed lost to the outside world. Then Mayya lost herself to love: a silent passion, but it sent tremors surging through her slight form, night after night, cresting in waves of tears and sighs. These were moments when she truly believed she would not survive the awful force of her longing to see him. Her body prostrate, ready for the dawn prayers, she made a whispered oath. By the greatness of God -- I want nothing, O Lord, just to see him. I solemnly promise you, Lord, I don't even want him to look my way . . . I just want to see him. That's all I want. Her mother hadn't given the matter of love any particular thought, since it never would have occurred to her that pale Mayya, so silent and still, would think about anything in this mundane world beyond her threads and the selvages of her fabrics, or that she would hear anything other than the clatter of her sewing machine. Mayya seemed to hardly shift position throughout the day, or even halfway into the night, her form perched quietly on the narrow, straight-backed wood chair in front of the black sewing machine with the image of a butterfly on its side. She barely even lifted her head, unless she needed to look as she groped for her scissors or fished another spool of thread out of the plastic sewing basket which always sat in her small wood utility chest. But Mayya heard everything in the world there was to hear. She noticed the brilliant hues life could have, however motionless her body might be. Her mother was grateful that Mayya's appetite was so meagre (even if, now and then, she felt vestiges of guilt). She hoped fervently, though she would never have put her hope into words, that one of these days someone would come along who respected Mayya's talents as a seamstress as much as he might appreciate her abstemious ways. The someone she envisioned would give Mayya a fine wedding procession after which he would take her home with all due ceremony and regard. That someone arrived. As usual Mayya was seated on that narrow chair, bent over the sewing machine at the far end of the long sitting room that opened onto the compound's private courtyard. Her mother walked over to her, beaming. She pressed her hand gently into her daughter's shoulder. Mayya, my dear! The son of Merchant Sulayman has asked for your hand. Spasms shot through Mayya's body. Her mother's hand suddenly felt unbearably heavy on her shoulder and her throat went dry. She couldn't stop imagining her sewing thread winding itself around her neck like a hangman's noose. Her mother smiled. I thought you were too old by now to put on such a girlish show! You needn't act so bashful, Mayya. And that was that. The subject was closed and no one raised it again. Mayya's mother busied herself assembling the wedding clothes, concocting just the right blends of incense, having all the large seat-cushions reupholstered, and getting word out to the entire family. Mayya's sisters kept their views to themselves and her father left the matter in her mother's hands. After all, these were her girls and marriage was women's business. Excerpted from Celestial Bodies by Jokha Alharthi All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.