Aprendendo com Miguel Bakun : subtropical = Learning from Miguel Bakun : subtropical /

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Bibliographic Details
Author / Creator:Bakun, Miguel, 1909-1963, artist.
Uniform title:Works. Selections
Edition:1a. edição.
Imprint:São Paulo : Instituto Tomie Ohtake, 2019.
Description:128 pages : illustrations (chiefly color) ; 31 cm.
Language:Portuguese
English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11967221
Hidden Bibliographic Details
Varying Form of Title:Learning from Miguel Bakun : subtropical
Other uniform titles:Miyada, Paulo,
Guignard, Alberto da Veiga, 1896 1962. Works. Selections.
Malmaceda, Luisa.
Other authors / contributors:Instituto Tomie Ohtake, issuing body, host institution.
ISBN:9788553190119
8553190110
Notes:At head of title: "Ministério da Cidadania, Governo do Estado de São Paulo, Secretaria de Cultura e Economia Criativa, Banco Barigüi, Tradener, Moageira Iratí e Instituto Tomie Ohtake apresentam [present]".
"This catalogue was publised on the occasion of the exhibition "Learning from Miguel Bakun : subtropical" held at Instituto Tomie Ohtake, from April 25 to May 26, 2019." -- Last Page.
Includes bibliographical references and index.
Texts in Potuguese and English.
Summary:At the outset of the exhibition-cum-essay curated by Luise Malmaceda and Paulo Miyada to be held at Instituto Tomie Ohtake is the oeuvre of Miguel Bakun (Marechal Mallet, PR 1909 - Curitiba, PR, 1963), a self-taught painter considered one of the leading modern artists from the state of Paraná. As the curators have noted, the event is meant to reflect on representation of landscapes in Brazil's subtropical region that have "so often been sidelined by the eminently warm-climate, coastal beach imaginary of a country whose picture-postcard sites are mostly found north of the Tropic of Capricorn. According to Malmaceda and Miyada the exhibition offers "an immersion in the aesthetics of coldness." This notion taken from the eponymous book by Rio Grande do Sul musician Vitor Ramil was mediated by Bakun's paintings and their shared appreciation of everyday landscapes of 1940's Curitiba, a city on the verge of modernizing but still bearing many signs of its rural surroundings. The exhibition comprises three large groups engaged in dialogue with the artist: one specifically covering landscapes from southern Brazil, in particular the state of Paraná, consisting of pieces by Alfredo Andersen (1869 1935), Bruno Lechowski (1887 1941), Caio Reisewitz (1967 ) and Marcelo Moscheta (1976 ); another situating Bakun within Brazilian modernism together with Alberto da Veiga Guignard (1896 1962), Alfredo Volpi (1896 1988), Iberê Camargo (1914 1994) and José Pancetti (1902 1998); and a third group made up of contemporary artists who, like Bakun, found in landscape an inexhaustible source of investigation, as for example Marina Camargo (1980 ), Lucas Arruda (1983 ) and Fernando Lindote (1960 )

MARC

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035 |a (OCoLC)1127523141 
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040 |a HKB  |b eng  |d HKB  |e rda 
041 1 |a por  |a eng 
090 |a ND359.B35  |b G83 2019 
100 1 |a Bakun, Miguel,  |d 1909-1963,  |e artist.  |0 http://id.loc.gov/authorities/names/no2007041179  |1 http://viaf.org/viaf/71166633 
240 1 0 |a Works.  |k Selections 
245 1 0 |a Aprendendo com Miguel Bakun :  |b subtropical = Learning from Miguel Bakun : subtropical /  |c Alberto Da Veiga Guignard [and 10 others] ; curadoria [curatorship] : Luise Malmaceda e Paulo Miyada. 
246 3 |a Learning from Miguel Bakun :  |b subtropical 
250 |a 1a. edição. 
264 1 |a São Paulo :  |b Instituto Tomie Ohtake,  |c 2019. 
300 |a 128 pages :  |b illustrations (chiefly color) ;  |c 31 cm. 
336 |a text  |b txt  |2 rdacontent  |0 http://id.loc.gov/vocabulary/contentTypes/txt 
336 |a still image  |b sti  |2 rdacontent  |0 http://id.loc.gov/vocabulary/contentTypes/sti 
337 |a unmediated  |b n  |2 rdamedia  |0 http://id.loc.gov/vocabulary/mediaTypes/n 
338 |a volume  |b nc  |2 rdacarrier  |0 http://id.loc.gov/vocabulary/carriers/nc 
500 |a At head of title: "Ministério da Cidadania, Governo do Estado de São Paulo, Secretaria de Cultura e Economia Criativa, Banco Barigüi, Tradener, Moageira Iratí e Instituto Tomie Ohtake apresentam [present]". 
500 |a "This catalogue was publised on the occasion of the exhibition "Learning from Miguel Bakun : subtropical" held at Instituto Tomie Ohtake, from April 25 to May 26, 2019." -- Last Page. 
504 |a Includes bibliographical references and index. 
505 8 |a Apresentação = Foreword -- Aprendendo com Miguel Bakun: subtropical = Learning from Miguel Bakun: subtropical / Luisa Malmaceda e [and] Paulo Miyada -- Miguel Bakun -- Bakunianas -- Por uma estética do frio = For an aesthetics of coldness -- Alfredo Anderson -- Caio Reisewitz -- Marcelo Moscheta -- Marina Camargo: Lugar: Tacuarembó (notas sobre a terra) = Place: Tacuarembó (notes on the land) -- Os Pampas e o Mar (Notas de Viagem) = Pampas and oceans (traveling notes) -- Bruno Lechoeski -- Paisagens ímpares = Singular landscapes -- Alberto da Veiga Guignard -- Alfredo Volpi -- Iberê Camargo -- José Pancetti -- Fazer a paisagem, ser feito por ela = Make landscape, be made by it -- Lucas Arruda -- Fernando Lindote. 
520 |a At the outset of the exhibition-cum-essay curated by Luise Malmaceda and Paulo Miyada to be held at Instituto Tomie Ohtake is the oeuvre of Miguel Bakun (Marechal Mallet, PR 1909 - Curitiba, PR, 1963), a self-taught painter considered one of the leading modern artists from the state of Paraná. As the curators have noted, the event is meant to reflect on representation of landscapes in Brazil's subtropical region that have "so often been sidelined by the eminently warm-climate, coastal beach imaginary of a country whose picture-postcard sites are mostly found north of the Tropic of Capricorn. According to Malmaceda and Miyada the exhibition offers "an immersion in the aesthetics of coldness." This notion taken from the eponymous book by Rio Grande do Sul musician Vitor Ramil was mediated by Bakun's paintings and their shared appreciation of everyday landscapes of 1940's Curitiba, a city on the verge of modernizing but still bearing many signs of its rural surroundings. The exhibition comprises three large groups engaged in dialogue with the artist: one specifically covering landscapes from southern Brazil, in particular the state of Paraná, consisting of pieces by Alfredo Andersen (1869 1935), Bruno Lechowski (1887 1941), Caio Reisewitz (1967 ) and Marcelo Moscheta (1976 ); another situating Bakun within Brazilian modernism together with Alberto da Veiga Guignard (1896 1962), Alfredo Volpi (1896 1988), Iberê Camargo (1914 1994) and José Pancetti (1902 1998); and a third group made up of contemporary artists who, like Bakun, found in landscape an inexhaustible source of investigation, as for example Marina Camargo (1980 ), Lucas Arruda (1983 ) and Fernando Lindote (1960 ) 
546 |a Texts in Potuguese and English. 
600 1 0 |a Bakun, Miguel,  |d 1909-1963  |v Exhibitions. 
600 1 0 |a Guignard, Alberto da Veiga,  |d 1896 1962.  |v Exhibitions. 
650 0 |a Landscape painting, Brazilian  |z Brazil  |z Paraná (State)  |y 20th century  |v Exhibitions. 
650 0 |a Landscape painting, Brazilian  |z Brazil  |y 20th century  |v Exhibitions. 
650 0 |a Artists  |z Brazil  |z Paraná (State)  |y 20th century  |v Exhibitions. 
651 0 |a Paraná (Brazil : State)  |x In art  |v Exhibitions. 
700 1 |a Miyada, Paulo,  |e curator.  |1 http://viaf.org/viaf/311464478 
700 1 2 |a Guignard, Alberto da Veiga,  |d 1896 1962.  |t Works.  |k Selections. 
700 1 |a Malmaceda, Luisa. 
710 2 |a Instituto Tomie Ohtake,  |e issuing body,  |e host institution.  |0 http://id.loc.gov/authorities/names/no2002061256  |1 http://viaf.org/viaf/159781405 
903 |a HeVa 
903 |a HeVa 
929 |a cat 
999 f f |i a1c9f089-ef30-5de1-b5ae-53c7b01da6a5  |s ef8687de-517c-5ae7-ad3d-eeda9856100a 
928 |t Library of Congress classification  |a ND359.B35 G83 2019  |l JRL  |c JRL-Gen  |i 11494025 
927 |t Library of Congress classification  |a ND359.B35 G83 2019  |l JRL  |c JRL-Gen  |e DOWL  |b 116605348  |i 10179371