Da Bolsa ao museu : Comodato MASP B3 : arte no Brasil, séculos 19 e 20 = From the Brazilian Exchange to the museum : MASP B3 long-term loan : art in Brazil, 19th and 20th centuries /

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Bibliographic Details
Imprint:[São Paulo, SP] : MASP, Museu de Arte de São Paulo Assis Chateaubriand, 2018.
Description:269 pages : illustrations (chiefly color, portraits) ; 26 cm
Language:Portuguese
English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11967230
Hidden Bibliographic Details
Varying Form of Title:Comodato MASP B3 : arte no Brasil, séculos 19 e 20
From the Brazilian Exchange to the museum : MASP B3 long-term loan : art in Brazil, 19th and 20th centuries
Other uniform titles:Da Bolsa ao museu.
Da Bolsa ao museu. English.
Other authors / contributors:Martinez, Felipe, writer of supplementary textual content.
Ardui, Olivia, organizer, editor.
Giufrida, Guilherme, organizer, editor, writer of supplementary textual content.
Pedrosa, Adriano, organizer, editor, writer of supplementary textual content.
B3 (Brazil, Bolsa, Balcão), sponsoring body.
Museu de Arte de São Paulo Assis Chateaubriand, host institution, issuing body.
ISBN:9788531000560
8531000564
Notes:Published on the occasion of the exhibition "Acervo em transformação: Comodato MASP B3ʺ held from June 14 to July 29, 2019 at MASP in Sao Paulo.
Includes bibliographical references (pages 257-259).
Texts in Portuguese and English.
Summary:In 2018, the year dedicated to Afro-Atlantic stories, MASP published 11 books, the present edition is one of them. The catalogue contains a selection of 25 works by 17 artists assigned on loan to the MASP by the financial group B3 (Brazil, Bolsa, Balcão), in honor of former BM&F and BOVESPA directors for a period of thirty years. The complete set, which includes 66 works by 28 artists, previously belonged to the collections of the former BM&F (Bolsa de Mercadorias & Futuros) and Bovespa, (or Ibovespa), and were displayed in their offices in Rio de Janeiro and São Paulo before arriving at MASP. The art collection of B3, the world's third largest exchange company and the second largest in the Americas, comprised art works that cover a period of one hundred years of Brazilian art. The MASP B3 long-term loan agreement comprises a broad collection, beginning with late 19th century academic artists such as: Benedito Calixto (1853-1927) e Antonio Parreiras (1860-1937). The most exceptional core is that of Brazilian modernism, with truly extraordinary works by Alberto da Veiga Guignard (1869-1962), José Pancetti (1902-1958), Emiliano Di Cavalcanti (1897-1976), Candido Portinari (1903-1962) and Anita Malfatti (1889-1964). The catalogue also includes abstract artists, such Antonio Bandeira (1922-1967), women artists such as Lygia Clark (1920-1988), Maria Leontina (1917-1984) and Ione Saldanha (1919-2001), and self-taught artists like Ranchinho (1923-2003)

MARC

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245 0 0 |a Da Bolsa ao museu :  |b Comodato MASP B3 : arte no Brasil, séculos 19 e 20 = From the Brazilian Exchange to the museum : MASP B3 long-term loan : art in Brazil, 19th and 20th centuries /  |c organização editorial, Adriano Pedrosa, Guilherme Giufrida e Olivia Ardui ; textos, Felipe Martinez [and three others]. 
246 3 0 |a Comodato MASP B3 :  |b arte no Brasil, séculos 19 e 20 
246 3 1 |a From the Brazilian Exchange to the museum :  |b MASP B3 long-term loan : art in Brazil, 19th and 20th centuries 
264 1 |a [São Paulo, SP] :  |b MASP, Museu de Arte de São Paulo Assis Chateaubriand,  |c 2018. 
300 |a 269 pages :  |b illustrations (chiefly color, portraits) ;  |c 26 cm 
336 |a still image  |b sti  |2 rdacontent  |0 http://id.loc.gov/vocabulary/contentTypes/sti 
336 |a text  |b txt  |2 rdacontent  |0 http://id.loc.gov/vocabulary/contentTypes/txt 
337 |a unmediated  |b n  |2 rdamedia  |0 http://id.loc.gov/vocabulary/mediaTypes/n 
338 |a volume  |b nc  |2 rdacarrier  |0 http://id.loc.gov/vocabulary/carriers/nc 
500 |a Published on the occasion of the exhibition "Acervo em transformação: Comodato MASP B3ʺ held from June 14 to July 29, 2019 at MASP in Sao Paulo. 
504 |a Includes bibliographical references (pages 257-259). 
505 8 |a Apresentação B3 = Preface B3 / Gilson Finkelsztain -- Apresentação MASP = Preface MASP / Heitor Martinez e [and] Adriano Pedrosa -- Um legado em transação = A legacy in transaction / Guilherme Giufrida e [and] Olivia Ardui -- Arte, mercado financiero e modernidade = Art, financial market and modernity/ Felipe Martinez -- Memórias de um espaço cultural na bolsa de valores = Memories of a cultural space at the stock exchange / Marcia Falsetti -- Catálogo Comodato MASP B3 = Catalog of the Long-Term Loan MASP B3 -- Lista de trabalhos = Checklist. 
520 |a In 2018, the year dedicated to Afro-Atlantic stories, MASP published 11 books, the present edition is one of them. The catalogue contains a selection of 25 works by 17 artists assigned on loan to the MASP by the financial group B3 (Brazil, Bolsa, Balcão), in honor of former BM&F and BOVESPA directors for a period of thirty years. The complete set, which includes 66 works by 28 artists, previously belonged to the collections of the former BM&F (Bolsa de Mercadorias & Futuros) and Bovespa, (or Ibovespa), and were displayed in their offices in Rio de Janeiro and São Paulo before arriving at MASP. The art collection of B3, the world's third largest exchange company and the second largest in the Americas, comprised art works that cover a period of one hundred years of Brazilian art. The MASP B3 long-term loan agreement comprises a broad collection, beginning with late 19th century academic artists such as: Benedito Calixto (1853-1927) e Antonio Parreiras (1860-1937). The most exceptional core is that of Brazilian modernism, with truly extraordinary works by Alberto da Veiga Guignard (1869-1962), José Pancetti (1902-1958), Emiliano Di Cavalcanti (1897-1976), Candido Portinari (1903-1962) and Anita Malfatti (1889-1964). The catalogue also includes abstract artists, such Antonio Bandeira (1922-1967), women artists such as Lygia Clark (1920-1988), Maria Leontina (1917-1984) and Ione Saldanha (1919-2001), and self-taught artists like Ranchinho (1923-2003) 
546 |a Texts in Portuguese and English. 
650 0 |a Art, Brazilian  |y 20th century  |v Exhibitions.  |0 http://id.loc.gov/authorities/subjects/sh2007101407 
610 2 0 |a Bolsa de Mercadorias & Futuros (Brazil)  |v Exhibitions. 
610 2 0 |a Bolsa de Valores de São Paulo  |v Exhibitions. 
650 0 |a Art  |x Private collections  |z Brazil  |v Exhibitions. 
650 0 |a Avant-garde (Aesthetics)  |z Brazil  |v Exhibitions. 
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610 2 7 |a Bolsa de Valores de São Paulo.  |2 fast  |0 http://id.worldcat.org/fast/00521769 
650 7 |a Art, Brazilian.  |2 fast  |0 (OCoLC)fst00816034 
650 7 |a Art museums.  |2 fast  |0 (OCoLC)fst00815631 
650 7 |a Art  |x Private collections.  |2 fast  |0 (OCoLC)fst00815314 
650 7 |a Avant-garde (Aesthetics)  |2 fast  |0 (OCoLC)fst00824280 
651 7 |a Brazil.  |2 fast  |0 (OCoLC)fst01206830 
648 7 |a 1900-1999  |2 fast 
655 7 |a Catalogs.  |2 fast  |0 (OCoLC)fst01423692 
655 7 |a Exhibition catalogs.  |2 fast  |0 (OCoLC)fst01424028 
700 1 |a Martinez, Felipe,  |e writer of supplementary textual content.  |1 http://viaf.org/viaf/101561536 
700 1 |a Ardui, Olivia,  |e organizer,  |e editor. 
700 1 |a Giufrida, Guilherme,  |e organizer,  |e editor,  |e writer of supplementary textual content. 
700 1 |a Pedrosa, Adriano,  |e organizer,  |e editor,  |e writer of supplementary textual content.  |0 http://id.loc.gov/authorities/names/no99034143  |1 http://viaf.org/viaf/19925650 
710 2 |a B3 (Brazil, Bolsa, Balcão),  |e sponsoring body. 
710 2 |a Museu de Arte de São Paulo Assis Chateaubriand,  |e host institution,  |e issuing body.  |0 http://id.loc.gov/authorities/names/n50061071  |1 http://viaf.org/viaf/157765508 
730 0 2 |a Da Bolsa ao museu. 
730 0 2 |a Da Bolsa ao museu.  |l English. 
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928 |t Library of Congress classification  |a N6655.D33 2018  |l JRL  |c JRL-Gen  |i 11494034 
927 |t Library of Congress classification  |a N6655.D33 2018  |l JRL  |c JRL-Gen  |e DOWL  |b 116605209  |i 10179380