Tal R /
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Author / Creator: | Herbert, Martin, 1973- author. |
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Imprint: | London : Lund Humphries, 2019. ©2019 |
Description: | 144 pages : chiefly illustrations (chiefly color) ; 29 cm. |
Language: | English |
Series: | Contemporary painters series Contemporary painters series. |
Subject: | |
Format: | Print Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/12000100 |
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020 | |a 9781848222311 |q (hardcover) | ||
020 | |a 1848222319 |q (hardcover) | ||
035 | |a (OCoLC)981971606 | ||
050 | 4 | |a N7023.R16 |b H47 2019 | |
082 | 0 | 4 | |a 709.2 |2 23 |
100 | 1 | |a Herbert, Martin, |d 1973- |e author. |0 http://id.loc.gov/authorities/names/no2009119537 | |
245 | 1 | 0 | |a Tal R / |c Martin Herbert. |
264 | 1 | |a London : |b Lund Humphries, |c 2019. | |
264 | 4 | |c ©2019 | |
300 | |a 144 pages : |b chiefly illustrations (chiefly color) ; |c 29 cm. | ||
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338 | |a volume |b nc |2 rdacarrier |0 http://id.loc.gov/vocabulary/carriers/nc | ||
490 | 1 | |a Contemporary painters series | |
504 | |a Includes bibliographical references (pages 136-137) and index. | ||
520 | 8 | |a This book is the first full-length assessment of the paintings of Tal R (b. 1967), an Israeli-born Danish artist whose enigmatic work offers intersections of personal experience and wider history through a visual jigsaw, finely balanced between representation and abstraction, of what the artist terms 'Kolbojnik', a Hebrew term for leftovers. Tal R's paintings are exceptionally idiosyncratic yet informed by an expansive view of the history of painting, with a diverse range of references including Fauvism, Symbolism and folk art. To the casual observer, his works depict amalgams of people, places and things. But deeper scrutiny reveals them as complex conceptual playgrounds where these seemingly simple categories are exploded and examined as 'construction' sites of both literal material (including collage, photography and sculpture) and meaning. For all students and lovers of painting, Tal R's works, like those of Chris Ofili or Laura Owens, have cleared a pathway for painting to continue after modernism and postmodernism without apology, beyond the worn out 'death of painting' mantra. | |
505 | 0 | |a Introduction -- Kolbojnik -- Seven buckets of paint -- Enter Shlomo -- Pieces of sugar -- Habakuk. | |
600 | 1 | 0 | |a R, Tal, |d 1967- |0 http://id.loc.gov/authorities/names/no00079445 |1 http://viaf.org/viaf/19229630 |
600 | 1 | 0 | |a R, Tal, |d 1967- |x Criticism and interpretation. |
600 | 1 | 7 | |a R, Tal, |d 1967- |2 fast |0 http://id.worldcat.org/fast/00453756 |1 http://viaf.org/viaf/19229630 |
700 | 1 | 2 | |a R, Tal, |d 1967- |t Works. |k Selections. |
830 | 0 | |a Contemporary painters series. |0 http://id.loc.gov/authorities/names/no2018018607 | |
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927 | |t Library of Congress classification |a N7023.R16 H47 2019 |p f |l JRL |c JRL-Gen |e WAGN |b 116633731 |i 10203718 |