Sounds of war : music in the United States during World War II /

Sounds of war : music in the United States during World War II /

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Bibliographic Details
Author / Creator:	Fauser, Annegret, author.
Imprint:	New York : Oxford University Press, 2013.
Description:	1 online resource (xv, 366 pages)
Language:	English
Subject:	Music -- Political aspects -- United States -- History -- 20th century. Music -- Social aspects -- United States -- History -- 20th century. Music and state -- United States -- History -- 20th century. World War, 1939-1945 -- Music and the war. Music and state. Music and war. Music -- Political aspects. Music -- Social aspects. United States. History.
Format:	E-Resource Book
URL for this record:	http://pi.lib.uchicago.edu/1001/cat/bib/12013981

Hidden Bibliographic Details
ISBN:	9780199948048 0199948046 0199323763 9780199323760 9780199948031 0199948038
Digital file characteristics:	data file
Notes:	Includes bibliographical references (pages 273-346) and index. English. Print version record.
Summary:	Whether as an instrument of propaganda or as a form of entertainment, classical music had a cultural relevance and a ubiquity in the war effort that are hard to imagine today. Exploring an abundance of sources ranging from government archives to the correspondence of musicians, this book traces how musicians in the United States responded and contributed to the war, following individual performers and composers as they faced military duty or sought alternative ways in which they could serve.
Other form:	Print version: Fauser, Annegret. Sounds of war. New York : Oxford University Press, 2013 9780199948031

Description
Summary:	What role did music play in the United States during World War II? How did composers reconcile the demands of their country and their art as America mobilized both militarily and culturally for war? Annegret Fauser explores these and many other questions in the first in-depth study of American concert music during World War II. While Dinah Shore, Duke Ellington, and the Andrew Sisters entertained civilians at home and G.I.s abroad with swing and boogie-woogie, Fauser shows it was classical music that truly distinguished musical life in the wartime United States. Classical music in 1940s America had a ubiquitous cultural presence--whether as an instrument of propaganda or a means of entertainment, recuperation, and uplift--that is hard to imagine today, and Fauser suggests that no other war enlisted culture in general and music in particular so consciously and unequivocally as World War II. Indeed, the day after the attack on Pearl Harbor, Group Theatre director Harold Clurman wrote to his cousin, Aaron Copland: "So you're back in N.Y. . . ready to defend your country in her hour of need with lectures, books, symphonies!" Copland was in fact involved in propaganda missions of the Office of War Information, as were Marc Blitzstein, Elliott Carter, Henry Cowell, Roy Harris, and Colin McPhee. It is the works of these musical greats--as well as many other American and exiled European composers who put their talents to patriotic purposes--that form the core of Fauser's enlightening account. Drawing on music history, aesthetics, reception history, and cultural history, Sounds of War recreates the remarkable sonic landscape of the World War II era and offers fresh insight to the role of music during wartime.
Physical Description:	1 online resource (xv, 366 pages)
Bibliography:	Includes bibliographical references (pages 273-346) and index.
ISBN:	9780199948048 0199948046 0199323763 9780199323760 9780199948031 0199948038