The Edinburgh companion to contemporary narrative theories /

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Bibliographic Details
Imprint:Edinburgh : Edinburgh University Press, 2018.
Description:1 online resource
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12019773
Hidden Bibliographic Details
Varying Form of Title:Contemporary narrative theories
ISBN:9781474424752
1474424759
1474424740
9781474424745
Notes:Print version record.
Summary:A collection of original essays establishing how wide the intellectual boundaries of narrative theory have become, the Edinburgh Companion to Narrative Theories showcases the latest approaches to diverse narratives across many media and in numerous disciplines. The book brings founders of the field of post-classical narrative theory together with established scholars who have made significant changes in the understanding of narrative and younger scholars who are putting narrative theories to use on new media forms and new literatures. This is the first anthology to consider what narrative is and what it can do in the wake of various turns in literary studies (the affective, the posthuman, the cognitive) which have been emerging in the context of digital media and algorithmic capital. Narrative genres persist, and they continue to do vital work in the world. Narrative theories provide the vocabulary for talking about how that work gets done.
Other form:Print version: EDINBURGH COMPANION TO CONTEMPORARY NARRATIVE THEORIES. [Place of publication not identified] : EDINBURGH UNIV PRESS, 2018 1474424740

MARC

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245 0 4 |a The Edinburgh companion to contemporary narrative theories /  |c edited by Zara Dinnen, Robyn Warhol. 
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520 8 |a A collection of original essays establishing how wide the intellectual boundaries of narrative theory have become, the Edinburgh Companion to Narrative Theories showcases the latest approaches to diverse narratives across many media and in numerous disciplines. The book brings founders of the field of post-classical narrative theory together with established scholars who have made significant changes in the understanding of narrative and younger scholars who are putting narrative theories to use on new media forms and new literatures. This is the first anthology to consider what narrative is and what it can do in the wake of various turns in literary studies (the affective, the posthuman, the cognitive) which have been emerging in the context of digital media and algorithmic capital. Narrative genres persist, and they continue to do vital work in the world. Narrative theories provide the vocabulary for talking about how that work gets done. 
588 0 |a Print version record. 
505 0 0 |g Machine generated contents note:  |g 1.  |t What Does It Mean to Be Mad? Diagnosis, Narrative, Science, and the DSM /  |r Zara Dinnen /  |r Robyn Warhol --  |g 2.  |t Nonhuman in Mind: Narrative Challenges to Folk Psychology /  |r H. Porter Abbott --  |g 3.  |t Narrative and the Embodied Reader /  |r Marco Caracciolo --  |g 4.  |t Fully Extended Mind /  |r Suzanne Keen --  |g 5.  |t Sense-Making and Wonder: An Enactive Approach to Narrative Form in Speculative Fiction /  |r Karin Kukkonen --  |g 6.  |t Cosmopolitanism, Controversy, and Collectivity: Zadie Smith's Networked Narration /  |r Merja Polvinen --  |g 7.  |t Race and Empathy in GB Tran's Vietnamerica /  |r Claudia Breger --  |g 8.  |t Till Death Do Us Part: Embodying Narratology /  |r Sue J. Kim --  |g 9.  |t Digital Intimacies and Queer Narratives /  |r Susan S. Lanser --  |g 10.  |t Cinema of the Impossible: Queer Theory and Narrative /  |r Sam McBean --  |g 11.  |t Cinema and the Unnarratability of Computation /  |r Valerie Rohy --  |g 12.  |t Plotting the Loop: Videogames and Narratability /  |r Zara Dinnen --  |g 13.  |t Serial as Digital Constellation: Fluid Textuality and Semiotic Otherness in the Podcast Narrative /  |r Rob Gallagher --  |g 14.  |t UI Time and the Digital Event /  |r Ellen McCracken --  |g 15.  |t Continued Comics: The New 'Blake and Mortimer' as an Example of Continuation in European Series /  |r Daniel Punday --  |g 16.  |t Operational Seriality and the Operation of Seriality /  |r Jan Baetens /  |r Hugo Frey --  |g 17.  |t Closer Than They Seem: Graphic Narrative and the Senses /  |r Jason Mittell --  |g 18.  |t Episode Five, or, When Does a Narrative Become What It Is? /  |r Katalin Orban --  |g 19.  |t Media Theory as Narrative Theory: Film Narration as a Case Study /  |r Sean O'Sullivan --  |g 20.  |t Digital Fiction and Unnatural Narrative /  |r Christian Quendler --  |g 21.  |t Lyric Poetry as Anti-Mimetic Bridging in Narratives and Motion Pictures: A Case Study of Affective Response to Christopher Nolan's Interstellar (2014) /  |r Astrid Ensslin /  |r Alice Bell --  |g 22.  |t Speculative Fiction, or, Literal Narratology /  |r Stefan Kjerkegaard --  |g 23.  |t Unnatural Endings in Fiction and Drama /  |r Brian McHale --  |g 24.  |t Narrative and the Necessity of Contingency /  |r Brian Richardson --  |g 25.  |t Local Nonfictionality within Generic Fiction: Huntington's Disease in McEwan's Saturday and Genova's Inside the O'Briens /  |r Mark Currie --  |g 26.  |t Story of the Law /  |r James Phelan --  |g 27.  |t Centre for Narrative Gravity: Narrative and the Philosophy of Selfhood after Dennett /  |r Ruth Ronen --  |g 28.  |t Body as Medium: A Phenomenological Approach to the Production of Affect in Narrative /  |r Richard Walsh. 
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650 0 |a Narration (Rhetoric)  |0 http://id.loc.gov/authorities/subjects/sh85089833 
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