Cease /

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Bibliographic Details
Author / Creator:Bachmann, Beth, author.
Uniform title:Poems. Selections
Imprint:Pittsburgh, Pa. : University of Pittsburgh Press, [2018]
Description:1 online resource
Language:English
Series:Pitt poetry series
Pitt poetry series.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12021288
Hidden Bibliographic Details
ISBN:9780822986195
0822986191
0822965577
9780822965572
Summary:CEASE begins with the words, "to keep the peace/we need a wall/to fall to our knees before ..." Framed by the long poem, "wall," Beth Bachmann's new collection of poetry wildly upturns the boundaries between bodies at peace and bodies at war, between the human territory of border walls and the effects of war on the environment and landscape, between the movements of soldiers and of refugees, between terror as an interior state and violences performed on the body, and between the words of politicians and the breath of a poem. Taking up Muriel Rukeyser's call for women poets to respond to war, "Women and poets see the truth arrive," the poems in CEASE are almost breathless in their speed and presence on the page. CEASE is both a plea and an awakening to peace as a process and a transient state.
Other form:Print version: 0822965577 9780822965572

MARC

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240 1 0 |a Poems.  |k Selections 
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505 0 |a Intro; Contents; One; wall; piece; at present; @ war; survivor; shame; nature; speech (inaugural poem); flower (child); moses (art of war); my war my way; nectarine & leather (riot); cloud lake both rain; Two; wall; gunboy; so what if I want to spit; dove; scalp; capture; peace; & love; exile; spirit animal; horror vacui; intimidation; resistance; return; the bell daybreak; Three; wall; AWOL; balcony; it was not hot; may; consequence; god; sung; beauty; overcome; home; to the assassin; the ones; insofar as; Four; wall; Notes; Acknowledgements. 
520 |a CEASE begins with the words, "to keep the peace/we need a wall/to fall to our knees before ..." Framed by the long poem, "wall," Beth Bachmann's new collection of poetry wildly upturns the boundaries between bodies at peace and bodies at war, between the human territory of border walls and the effects of war on the environment and landscape, between the movements of soldiers and of refugees, between terror as an interior state and violences performed on the body, and between the words of politicians and the breath of a poem. Taking up Muriel Rukeyser's call for women poets to respond to war, "Women and poets see the truth arrive," the poems in CEASE are almost breathless in their speed and presence on the page. CEASE is both a plea and an awakening to peace as a process and a transient state. 
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