Zhang Wei = Zhang Wei /
Zhang Wei = 张伟 /
Saved in:
Author / Creator: | Zhang, Wei, 1952- artist, author. |
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Edition: | First edition. |
Imprint: | Beijing : Boers-Li Gallery ; Berlin : Galerie Max Hetzler ; Berlin : Holzwarth Publications, 2019. ©2019 |
Description: | 223 pages : illustrations (chiefly color), portrait ; 31 cm + 1 booklet (27 pages ; 29 cm) |
Language: | English Chinese |
Subject: | |
Format: | Print Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/12032134 |
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005 | 20210715091018.0 | ||
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020 | |a 9783947127191 |q (hardbound) | ||
020 | |a 3947127197 |q (hardbound) | ||
024 | 3 | |a 9783947127191 | |
035 | |a (OCoLC)1142686430 | ||
041 | 0 | |a eng |a chi | |
050 | 4 | |a ND1049.Z48118 |b A4 2019 | |
050 | 4 | |a ND1049.Z43 |b A4 2019 | |
049 | |a CGUA | ||
100 | 1 | |a Zhang, Wei, |d 1952- |e artist, |e author. |0 http://id.loc.gov/authorities/names/no2018060336 |1 http://viaf.org/viaf/4292149544593100490005 | |
245 | 1 | 0 | |6 880-01 |a Zhang Wei = |b Zhang Wei / |c texts, He Guiyan [and three others] ; copy editing, Lutz Eitel. |
246 | 3 | 1 | |6 880-02 |a Zhang Wei |
250 | |a First edition. | ||
264 | 1 | |a Beijing : |b Boers-Li Gallery ; |a Berlin : |b Galerie Max Hetzler ; |a Berlin : |b Holzwarth Publications, |c 2019. | |
264 | 4 | |c ©2019 | |
300 | |a 223 pages : |b illustrations (chiefly color), portrait ; |c 31 cm + |e 1 booklet (27 pages ; 29 cm) | ||
336 | |a text |b txt |2 rdacontent |0 http://id.loc.gov/vocabulary/contentTypes/txt | ||
336 | |a still image |b sti |2 rdacontent |0 http://id.loc.gov/vocabulary/contentTypes/sti | ||
337 | |a unmediated |b n |2 rdamedia |0 http://id.loc.gov/vocabulary/mediaTypes/n | ||
338 | |a volume |b nc |2 rdacarrier |0 http://id.loc.gov/vocabulary/carriers/nc | ||
500 | |a Catalog of an exhibition held at Stiftung zur Förderung zeitgenössischer Kunst in Weidingen, July 28-August 31, 2019. | ||
504 | |a Includes bibliographical references. | ||
520 | 8 | |a When artists no longer pursue the goal of recreating the illusion experienced by the retina, art will return to the picture plane and take it as the start. According to the American critic Clement Greenberg, defending flatness has become the most important feature of the modernist painting since the mid-to-late 19th century [...]. However, for Zhang Wei, the significance of the two-dimensional plane is that it allows him to express himself with complete freedom. From this perspective, Zhang Wei's abstraction is not based on Western abstract art, nor does it take the stylization of form as the goal of pursuit. Instead, he seeks to merge the boundaries between form and content, or to consider form as content [...]. | |
546 | |a Text in English; booklet in Chinese. | ||
505 | 2 | |a Booklet: Parallel texts in Chinese. | |
600 | 1 | 0 | |a Zhang, Wei, |d 1952- |v Exhibitions. |
650 | 0 | |a Painting, Abstract |v Exhibitions. |0 http://id.loc.gov/authorities/subjects/sh2010104771 | |
650 | 7 | |a Painting, Abstract. |2 fast |0 (OCoLC)fst01050640 | |
655 | 7 | |a Exhibition catalogs. |2 fast |0 (OCoLC)fst01424028 | |
700 | 1 | |a Guiyan, He, |e writer of supplementary textual content. | |
700 | 1 | |a Eitel, Lutz, |e editor. |0 http://id.loc.gov/authorities/names/no2012025322 |1 http://viaf.org/viaf/120755542 | |
710 | 2 | |a Stiftung zur Förderung zeitgenössischer Kunst in Weidingen, |e host institution. |1 http://viaf.org/viaf/50146824813507630919 | |
903 | |a HeVa | ||
880 | 1 | 0 | |6 245-01 |a Zhang Wei = |b 张伟 / |c texts, He Guiyan [and three others] ; copy editing, Lutz Eitel. |
880 | 3 | 1 | |6 246-02 |a 张伟 |
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