Joan Mitchell : I carry my landscapes around with me.

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Bibliographic Details
Author / Creator:Mitchell, Joan, 1925-1992, artist.
Uniform title:Paintings. Selections.
Imprint:New York, New York : David Zwirner Books, 2019.
©2019
Description:101 pages : illustrations (chiefly color) ; 36 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12241120
Hidden Bibliographic Details
Varying Form of Title:I carry my landscapes around with me
Other authors / contributors:Hudson, Suzanne Perling, 1977- writer of supplementary textual content.
Slifkin, Robert, writer of supplementary textual content.
David Zwirner (Gallery), host institution, publisher.
ISBN:9781644230282
1644230283
Notes:"Published by David Zwirner Books on the occasion of Joan Mitchell: I carry my landscapes around with me, David Zwirner, 537 West 20th Street, New York, May 3-July 12, 2019"--Colophon.
Includes bibliographical references.
English.
Summary:'I carry my landscapes around with me' focuses on American abstract artist Joan Mitchell's large-scale multipanel works from the 1960s through the 1990s. Mitchell's exploration of the possibilities afforded by combining two to five large canvases allowed her to simultaneously create continuity and rupture, while opening up a panoramic expanse referencing landscapes or the memory of landscapes.Mitchell established a singular approach to abstraction over the course of her career. Her inventive reinterpretation of the traditional figure-ground relationship and synesthetic use of color set her apart from her peers, resulting in intuitively constructed and emotionally charged compositions that alternately evoke individuals, observations, places, and points in time. Art critic John Yau lauded her paintings as "one of the towering achievements of the postwar period." Published on the occasion of the eponymous exhibition at David Zwirner New York in 2019, this book offers a unique opportunity to explore the range of scale and formal experimentation of this innovative area of Mitchell's extensive body of work. It not only features reproductions of each painting in this selection as a whole, but also numerous details that allow an intimate understanding of the surface texture and brushwork. In the complementing essays, Suzanne Hudson examines boundaries, borders, and edges in Mitchell's multipanel paintings, beginning with her first work of this kind, The Bridge (1956), considering them as both physical and conceptual objects; Robert Slifkin discusses the dynamics of repetition and energy in the artist's paintings, in relation to works by Monet and Willem de Kooning, among others. Exhibition: David Zwirner Gallery, New York, USA (03.05.-12.07.2019).

MARC

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500 |a "Published by David Zwirner Books on the occasion of Joan Mitchell: I carry my landscapes around with me, David Zwirner, 537 West 20th Street, New York, May 3-July 12, 2019"--Colophon. 
504 |a Includes bibliographical references. 
520 8 |a 'I carry my landscapes around with me' focuses on American abstract artist Joan Mitchell's large-scale multipanel works from the 1960s through the 1990s. Mitchell's exploration of the possibilities afforded by combining two to five large canvases allowed her to simultaneously create continuity and rupture, while opening up a panoramic expanse referencing landscapes or the memory of landscapes.Mitchell established a singular approach to abstraction over the course of her career. Her inventive reinterpretation of the traditional figure-ground relationship and synesthetic use of color set her apart from her peers, resulting in intuitively constructed and emotionally charged compositions that alternately evoke individuals, observations, places, and points in time. Art critic John Yau lauded her paintings as "one of the towering achievements of the postwar period." Published on the occasion of the eponymous exhibition at David Zwirner New York in 2019, this book offers a unique opportunity to explore the range of scale and formal experimentation of this innovative area of Mitchell's extensive body of work. It not only features reproductions of each painting in this selection as a whole, but also numerous details that allow an intimate understanding of the surface texture and brushwork. In the complementing essays, Suzanne Hudson examines boundaries, borders, and edges in Mitchell's multipanel paintings, beginning with her first work of this kind, The Bridge (1956), considering them as both physical and conceptual objects; Robert Slifkin discusses the dynamics of repetition and energy in the artist's paintings, in relation to works by Monet and Willem de Kooning, among others. Exhibition: David Zwirner Gallery, New York, USA (03.05.-12.07.2019). 
505 0 |a Getting from one side to the other / Suzanne Hudson -- Afterwards / Robert Slifkin -- Plates. 
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600 1 0 |a Mitchell, Joan,  |d 1925-1992  |v Exhibitions. 
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700 1 |a Slifkin, Robert,  |e writer of supplementary textual content.  |0 http://id.loc.gov/authorities/names/no2012117351  |1 http://viaf.org/viaf/263014718 
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