Rubén Ortiz Torres : customatismo = customatism /

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Bibliographic Details
Edition:Primera edición = First edition.
Imprint:Ciudad de México : MUAC, Museo Universitario Arte Contemporáneo, UNAM : Monterrey : MARCO, Museo de Arte Contemporáneo de Monterrey La Jolla, Calif. : Museum of Contemporary Art, San Diego, 2019.
Description:303 pages : illustrations (chiefly color), portraits ; 22 cm
Language:Spanish
English
Series:Folio MUAC ; 81
Folio MUAC ; 081.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12300600
Hidden Bibliographic Details
Varying Form of Title:Customatismo
Customatism
Other uniform titles:Ortiz Torres, Rubén. Works. Selections.
López, Vanessa,
Xanic López, Ana,
Álvarez Romero, Ekaterina,
Botey, Mariana,
Rubén Ortiz Torres.
Rubén Ortiz Torres. English.
Other authors / contributors:Museum of Contemporary Art, San Diego, host institution.
Museo de Arte Contemporáneo de Monterrey, host institution.
Universidad Nacional Autónoma de México. Museo Universitario Arte Contemporáneo, issuing body, host institution.
ISBN:9788417975241
8417975241
9780934418737
093441873X
9786079355173
6079355175
9786073028264
6073028261
Notes:"Published on occasion of the exhibition Rubén Ortiz Torres. Customatism (October 26, 2019 to April 12, 2020) MUAC, Museo Universitario Arte Contemporáneo. UNAM, Universidad Nacional Autónoma de México, Mexico City; (May 28 to October 25, 2020) MARCO, Museo de Arte Contemporáneo de Monterrey, Monterrey; (January 21 to May 30, 2021) MCASD, Museum of Contemporary Art San Diego."--Facing Title Page.
Includes bibliographical references.
Texts in Spanish and English.
Summary:A retrospective view of Rubén Ortiz Torres's art production. "Over the course of three decades, Rubén Ortiz Torres has produced work in such diverse media and materials as painting, photography, collage, video, film, multimedia, sculpture. He has also made constructivist use of these media and materials, syncretizing them in complex montages through a range of formal and political strategies including large- and small-format customization, appropriation, hybridization, and ready-mades that cumulatively produce a baroque, iconoclastic effect. The formal complexity and the originality of the genres and productive techniques that Ortiz Torres make his work unique. Unlike many artists of his generation in Mexico, Ortiz Torres's work has taken a critical positions generated from Mexico and Latin America formalist avant-garde -inevitably paired with and assimilated to a model of developmentalist, institutional and dominant modernism-interrupt and advance a political perspective on the reorganization of the circuit of the relations of production that connect art, the academy, cultural anthropology, mass culture, social movements and popular culture. work."--Page 25.

MARC

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245 0 0 |a Rubén Ortiz Torres :  |b customatismo = customatism /  |c textos, Mariana Botey [and five others] ; dirección editorial, Ekaterina Álvarez Romero ; coordinación editorial, Ana Xanic López, Vanessa López. 
246 3 0 |a Customatismo 
246 3 0 |a Customatism 
250 |a Primera edición =  |b First edition. 
264 1 |a Ciudad de México :  |b MUAC, Museo Universitario Arte Contemporáneo, UNAM :  |a Monterrey :  |b MARCO, Museo de Arte Contemporáneo de Monterrey  |a La Jolla, Calif. :  |b Museum of Contemporary Art, San Diego,  |c 2019. 
300 |a 303 pages :  |b illustrations (chiefly color), portraits ;  |c 22 cm 
336 |a still image  |b sti  |2 rdacontent  |0 http://id.loc.gov/vocabulary/contentTypes/sti 
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490 1 |a Folio MUAC ;  |v 81 
500 |a "Published on occasion of the exhibition Rubén Ortiz Torres. Customatism (October 26, 2019 to April 12, 2020) MUAC, Museo Universitario Arte Contemporáneo. UNAM, Universidad Nacional Autónoma de México, Mexico City; (May 28 to October 25, 2020) MARCO, Museo de Arte Contemporáneo de Monterrey, Monterrey; (January 21 to May 30, 2021) MCASD, Museum of Contemporary Art San Diego."--Facing Title Page. 
504 |a Includes bibliographical references. 
505 8 |a Customatismo. Después del pop, nosotros hípermaterializamos: transpopulismo y transvanguardia en el arte de Rubén Ortiz Torres = Customatism. After Pop, we hyper Materialize: Trans-Populism and Trans-Avant-Garde in the Art of Rubén Ortiz Torres / Mariana Botey -- ¡Santas herramientas de poder, Batman! = Holy Power Tools = Batman! / Rubén Ortiz Torres -- Discurso alienígena = Alien Speech / Rubén Ortiz Torres -- Historia verdadera de la conquista de la Nueva América = The true story of the conquest of New America / Rubén Ortiz Torres -- La fuga eterna = Eternal flight / Omar Pimienta -- Distorsión mutua asegurada = Mutually assured distortion / Cuauhtémoc Medina -- Seguimiento de los objetos customatizados de Rubén Ortiz Torres = Tracking Rubén Ortiz Torresœs Customized Objects / C. Ondine Chavoya -- La tribulación de los objetos: ironía, melodrama y fetiches en Rubén Ortiz Torres = The tribulation of objects: Irony, melodrama and fetishes in Rubén Ortiz Torres / José Falconi -- Chicanexcavaciones = Chicanxcavations / Rita González -- Semblanza = Biographical Sketch -- Catálogo = Catalog. 
520 |a A retrospective view of Rubén Ortiz Torres's art production. "Over the course of three decades, Rubén Ortiz Torres has produced work in such diverse media and materials as painting, photography, collage, video, film, multimedia, sculpture. He has also made constructivist use of these media and materials, syncretizing them in complex montages through a range of formal and political strategies including large- and small-format customization, appropriation, hybridization, and ready-mades that cumulatively produce a baroque, iconoclastic effect. The formal complexity and the originality of the genres and productive techniques that Ortiz Torres make his work unique. Unlike many artists of his generation in Mexico, Ortiz Torres's work has taken a critical positions generated from Mexico and Latin America formalist avant-garde -inevitably paired with and assimilated to a model of developmentalist, institutional and dominant modernism-interrupt and advance a political perspective on the reorganization of the circuit of the relations of production that connect art, the academy, cultural anthropology, mass culture, social movements and popular culture. work."--Page 25. 
546 |a Texts in Spanish and English. 
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648 7 |a 1900-1999  |2 fast 
650 0 |a Automobiles  |x Customizing  |x History  |y 20th century  |v Exhibitions. 
650 0 |a Automobiles in art  |v Exhibitions. 
650 7 |a Art.  |2 fast  |0 (OCoLC)fst00815177 
650 7 |a Art, American.  |2 fast  |0 (OCoLC)fst00815895 
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700 1 2 |a Ortiz Torres, Rubén.  |t Works.  |k Selections. 
700 1 |a López, Vanessa,  |e editor.  |1 http://viaf.org/viaf/50146030534535860361 
700 1 |a Xanic López, Ana,  |e editor.  |0 http://id.loc.gov/authorities/names/no2018007674  |1 http://viaf.org/viaf/30151715680413782986 
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710 2 |a Museum of Contemporary Art, San Diego,  |e host institution.  |0 http://id.loc.gov/authorities/names/no92024637 
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710 2 |a Universidad Nacional Autónoma de México.  |b Museo Universitario Arte Contemporáneo,  |e issuing body,  |e host institution.  |0 http://id.loc.gov/authorities/names/no2009099541  |1 http://viaf.org/viaf/312872174 
730 0 2 |a Rubén Ortiz Torres. 
730 0 2 |a Rubén Ortiz Torres.  |l English. 
830 0 |a Folio MUAC ;  |v 081. 
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