Nabokov's Pale fire : the magic of artistic discovery /

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Bibliographic Details
Author / Creator:Boyd, Brian, 1952- author.
Imprint:Princeton, NJ : Princeton University Press, 1999.
Description:1 online resource (xii, 303 pages) : illustrations
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12314801
Hidden Bibliographic Details
ISBN:9781400823192
1400823196
1400811112
9781400811113
0691009597
9780691009599
0691089574
9780691089577
1282505580
9781282505582
9786612505584
6612505583
Digital file characteristics:data file
Notes:Includes bibliographical references (pages 291-298) and index.
English.
Print version record.
Summary:Pale Fire is regarded by many as Vladimir Nabokov's masterpiece. The novel has been hailed as one of the most striking early examples of postmodernism and has become a famous test case for theories about reading because of the apparent impossibility of deciding between several radically different interpretations. Does the book have two narrators, as it first appears, or one? How much is fantasy and how much is reality? Whose fantasy and whose reality are they? Brian Boyd, Nabokov's biographer and hitherto the foremost proponent of the idea that Pale Fire has one narrator, John Shade, now rejects this position and presents a new and startlingly different solution that will permanently shift the nature of critical debate on the novel. Boyd argues that the book does indeed have two narrators, Shade and Charles Kinbote, but reveals that Kinbote had some strange and highly surprising help in writing his sections. In light of this interpretation, Pale Fire now looks distinctly less postmodern - and more interesting than ever. In presenting his arguments, Boyd shows how Nabokov designed Pale Fire for readers to make surprising discoveries on a first reading and even more surprising discoveries on subsequent readings by following carefully prepared clues within the novel. Boyd leads the reader step-by-step through the book, gradually revealing the profound relationship between Nabokov's ethics, aesthetics, epistemology, and metaphysics. If Nabokov has generously planned the novel to be accessible on a first reading and yet to incorporate successive vistas of surprise, Boyd argues, it is because he thinks a deep generosity lies behind the inexhaustibility, complexity, and mystery of the world. Boyd also shows how Nabokov's interest in discovery springs in part from his work as a scientist and scholar, and draws comparisons between the processes of readerly and scientific discovery.
Other form:Print version: Boyd, Brian, 1952- Nabokov's Pale fire. Princeton, NJ : Princeton University Press, 1999 0691009597
Standard no.:ebc537653
Review by Choice Review

Vladimir Nabokov's Pale Fire (1962) figures on several best-novels-of-the-20th-century lists. A beautiful and labyrinthine work, it has been the subject of prolific critical study and debate since its publication. Which of its shimmering layers best reflects the novel's reality? Or is this question even resolvable? Author of the monumental two-volume critical biography Vladimir Nabokov: The Russian Years (CH, Jan'91) and ... The American Years (CH, Feb'92), and a monograph on Ada (Nabokov's Ada, 1985), Boyd (Univ. of Auckland) has been one of the chief players in this long discussion and is far and away Nabokov's best-informed and most subtle critic. Now, after 20 years, he partially retracts an earlier position and advances a radical new interpretation of Pale Fire that places the argument in a whole new dimension. Boyd moves through three levels of interpretation: the first two summarize scholarship to date; the third and longest presents Boyd's new argument. Although no analysis can be definitive, Boyd bases his new interpretation on a staggering wealth of textual and extratextual detail and is clearly right in his major argument. This breakthrough study belongs in every humanities collection. D. B. Johnson; emeritus, University of California, Santa Barbara

Copyright American Library Association, used with permission.
Review by Library Journal Review

Interest in Nabokov has been kept up in recent years by such work as Boyd's monumental two-volume biography and Stacy Schiff's V‚ra (Mrs. Vladimir Nabokov). These two new studies will only enhance interest in Nabokov for some time to come. Boyd's new book is an intensive examination of Nabokov's Pale FireÄa book that many scholars consider his masterpiece, since it lends itself to a variety of interpretations. Boyd looks at these interpretations and offers his own insights, some of which have changed over the years. He argues that the genius of Pale Fire is that while it can be read easily in a straightforward manner, further readings reveal a multilayered story that promts the reader to dig for deeper meanings. Boyd skillfully peels away the layers of this novel in a feast of literary detective work. He recommends that one read the novel before taking on his book. On the other hand, one need not read any of Nabokov's work to prepare for Johnson and Coates's Nabokov's Blues. Though he had no formal training in biology, Nabokov became an acknowledged expert on BluesÄa diverse group of Latin American butterflies. Here Johnson and Coates examine his butterfly studies in the context of recent scientific expeditions to South America. They succeed in presenting both a biographical and scientific study that brings new understanding to both Nabokov's writing and his place in science. Taken together, these books should keep the most ardent Nabokov reader busy for some time. Recommended for academic collections.ÄRonald Ratliff, Emporia P.L., KS (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Choice Review


Review by Library Journal Review