Filming the fantastic with virtual technology : filmmaking on the digital backlot /
Saved in:
| Author / Creator: | Sawicki, Mark, author. |
|---|---|
| Imprint: | Abingdon, Oxon ; New York, NY : Routledge, 2020. ©2020 |
| Description: | 1 online resource ( xi, 219 pages) : illustrations |
| Language: | English |
| Subject: | |
| Format: | E-Resource Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/12320822 |
MARC
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| 100 | 1 | |a Sawicki, Mark, |e author. |0 http://id.loc.gov/authorities/names/n82062272 |1 http://viaf.org/viaf/40717952 | |
| 245 | 1 | 0 | |a Filming the fantastic with virtual technology : |b filmmaking on the digital backlot / |c Mark Sawicki and Juniko Moody. |
| 264 | 1 | |a Abingdon, Oxon ; |a New York, NY : |b Routledge, |c 2020. | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource ( xi, 219 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent |0 http://id.loc.gov/vocabulary/contentTypes/txt | ||
| 337 | |a computer |b n |2 rdamedia |0 http://id.loc.gov/vocabulary/mediaTypes/c | ||
| 338 | |a online resource |b nc |2 rdacarrier |0 http://id.loc.gov/vocabulary/carriers/cr | ||
| 500 | |a Includes index. | ||
| 500 | |a "A Focal Press Book" -- Front cover. | ||
| 505 | 0 | |a The first magicians -- A brief history of computer graphics -- Performance capture -- Camera tracking -- Under the hood of the Reality Engine Compositing System -- Making a storyboard with Unreal Engine -- Compositing fundamentals -- Production considerations -- Creating photo real environments -- So you don't have a million dollars -- Production case studies -- Virtual reality : indistinguishable from magic. | |
| 545 | 0 | |a Mark Sawicki entered the visual effects field as an effects cameraman, animator, and compositor in the late 70s. As a co-supervisor for Area 51 on Tom Hanks special "From the Earth to the Moon", Sawicki was part of the combined use of models, motion control, and CGI as a pivotal transition point between the traditional and digital eras. Mark went on to become visual effects supervisor and lead cameraman for Custom Film effects working on such films as Christopher Nolan's The Dark Knight Rises. At the start of the 21st century, Mark took a hiatus from production to write books, create video programs for the Stan Winston School of Character Arts, and teach at a variety of film schools. He has now re-entered the field as a virtual production artist and corporate trainer. Juniko Moody graduated from USC Cinema and entered the industry as a motion control and compositing technician working for New World Studios, Ultimatte Corporation, and ILM. She entered the digital field working for Eastman Kodak's Cineon project digitally restoring the Disney classic Snow White and went on to work for Warner Digital and Sony Imageworks as a digital artist. She was hired by Walt Disney Feature Animation to provide CGI lighting and digital compositing for the film Dinosaur. She also provided corporate training at Disney and Dreamworks animation. She received a doctorate from USC Rossier School of Education and continues to write and research. | |
| 588 | |a Description based on online resource; title from digital title page (viewed on July 06, 2020). | ||
| 650 | 0 | |a Digital cinematography. |0 http://id.loc.gov/authorities/subjects/sh2001001797 | |
| 650 | 0 | |a Image processing |x Digital techniques. |0 http://id.loc.gov/authorities/subjects/sh85064447 | |
| 650 | 0 | |a Cinematography |x Special effects. |0 http://id.loc.gov/authorities/subjects/sh85026023 | |
| 650 | 0 | |a Computer animation. |0 http://id.loc.gov/authorities/subjects/sh85029478 | |
| 650 | 7 | |a PERFORMING ARTS / General |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / Direction & Production |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Animation |2 bisacsh | |
| 650 | 7 | |a Cinematography |x Special effects. |2 fast |0 (OCoLC)fst00861506 | |
| 650 | 7 | |a Computer animation. |2 fast |0 (OCoLC)fst00872015 | |
| 650 | 7 | |a Digital cinematography. |2 fast |0 (OCoLC)fst00893633 | |
| 650 | 7 | |a Image processing |x Digital techniques. |2 fast |0 (OCoLC)fst00967508 | |
| 700 | 1 | |a Moody, Juniko, |d 1957- |e author. |0 http://id.loc.gov/authorities/names/n2020008100 |1 http://viaf.org/viaf/172158185868420062390 | |
| 776 | 0 | 8 | |i Print version: |a Sawicki, Mark. |t Filming the fantastic with virtual technology |d Abingdon, Oxon ; New York : Routledge, 2020. |z 9780367354220 |w (DLC) 2019046150 |
| 856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/uchicago/detail.action?docID=6146996 |y ProQuest Ebook Central |x 1 |z Licensed for 1 user at a time |
| 901 | |a YBPebook | ||
| 903 | |a HeVa | ||
| 929 | |a eresource | ||
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| 928 | |t Library of Congress classification |a TR860 .S29 2020 |l Online |c UC-FullText |n Licensed for 1 user at a time |u https://ebookcentral.proquest.com/lib/uchicago/detail.action?docID=6146996 |z ProQuest Ebook Central |g ebooks |e DOED |i 11885965 | ||
