Actors and the art of performance : under exposure /
Saved in:
| Author / Creator: | Valerie, Susanne, author. |
|---|---|
| Imprint: | Houndsmills, Basingstoke, Hampshire : Palgrave Macmillan, 2016. |
| Description: | 1 online resource (XI, 120 pages) |
| Language: | English |
| Series: | Performance Philosophy Performance philosophy. |
| Subject: | |
| Format: | E-Resource Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/12329401 |
MARC
| LEADER | 00000cam a2200000Ii 4500 | ||
|---|---|---|---|
| 001 | 12329401 | ||
| 006 | m o d | ||
| 007 | cr nn|008mamaa | ||
| 008 | 160420s2016 xxk ob 000 0 eng d | ||
| 005 | 20220624111547.0 | ||
| 010 | |a 2016296454 | ||
| 019 | |a 1084381204 |a 1112575979 |a 1112821678 |a 1119483339 |a 1160012101 |a 1162753425 |a 1224921978 |a 1228621839 |a 1258398634 | ||
| 020 | |a 9781137596345 | ||
| 020 | |a 1137596341 | ||
| 020 | |a 1137596333 |q (hardback) | ||
| 020 | |a 9781137596338 | ||
| 020 | |z 9781137596352 |q (e-pub) | ||
| 020 | |z 113759635X |q (e-pub) | ||
| 020 | |z 9781137596338 |q (hardback) | ||
| 024 | 7 | |a 10.1057/9781137596345 |2 doi | |
| 035 | |a (OCoLC)952391352 |z (OCoLC)1084381204 |z (OCoLC)1112575979 |z (OCoLC)1112821678 |z (OCoLC)1119483339 |z (OCoLC)1160012101 |z (OCoLC)1162753425 |z (OCoLC)1224921978 |z (OCoLC)1228621839 |z (OCoLC)1258398634 | ||
| 035 | 9 | |a (OCLCCM-CC)952391352 | |
| 037 | |n Title purchased via APUC SHEDL / ScopNet ebook agreement |n Literature, Cultural and Media Studies (Springer-41173) | ||
| 040 | |a CN3GA |b eng |e rda |e pn |c CN3GA |d OCLCO |d OCLCF |d OCLCQ |d EBLCP |d UAB |d IOG |d OTZ |d VLB |d OCL |d U3W |d OCLCQ |d OH1 |d KSU |d OCLCQ |d AU@ |d OCLCQ |d AUD |d LEAUB |d OCLCQ |d HS0 |d VT2 |d ERF |d ADU |d OCLCQ |d OCLCA |d OCLCQ |d OCLCO |d OCLCQ |d OCLCO | ||
| 041 | 1 | |a eng |h ger | |
| 049 | |a MAIN | ||
| 050 | 4 | |a PN2000-PN3307 | |
| 050 | 4 | |a PN2061 |b .V3513 2016 | |
| 072 | 7 | |a AN |2 bicssc | |
| 072 | 7 | |a PER011000 |2 bisacsh | |
| 100 | 1 | |a Valerie, Susanne, |e author. | |
| 245 | 1 | 0 | |a Actors and the art of performance : |b under exposure / |c Susanne Valerie ; translated from the German by Laura Radosh and Alice Lagaay. |
| 264 | 1 | |a Houndsmills, Basingstoke, Hampshire : |b Palgrave Macmillan, |c 2016. | |
| 300 | |a 1 online resource (XI, 120 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file | ||
| 347 | |b PDF | ||
| 490 | 1 | |a Performance Philosophy | |
| 505 | 0 | |a Part I: Hits -- 1. Auditorium X -- Double stalemate -- Turning point, peripeteia -- Turn around -- i, mine -- 2. Speculations -- Actors' fears -- Crying -- Child's play -- Exposed -- With-out me -- 3. Black out -- First time at the theater -- Part II: Experts in being? -- 4. The actor: A creature of fable -- why do you want to be an actor? -- 5. The Causa Corpora -- The kiss of Olympia -- Machine against man -- The actor's trump card -- 6. The gift of acting -- Skipping -- Prejudice -- Subject-based thinking versus stage experience -- Master and servant -- Bodies on stage -- Innocence of becoming -- Language and speaking -- Digesting speech -- Counterwords -- The Other, the others -- Affect versus thought -- Thinking and acting -- Repetition -- 7. The gift of death -- Tu es mort -- Theater as a symbolic death -- Point of no return -- Felicity -- a salto mortale -- Our friend Touchstone -- 8. Finale and punctum -- Why do you want to be an actor? | |
| 520 | |a Actors and the Art of Performance: Under Exposure combines the authorℓ́ℓs two main biographical paths: her professional commitment to the fi elds of both theater and philosophy. The art of acting on stage is analyzed here not only from the theoretical perspective of a spectator but also from the perspective of the actor. The author draws on her experience as both a theater actor and a university professor whose teachings in the art of acting rely heavily on her own experience and also on her philosophical knowledge. The book is unique not only in terms of its content but also in terms of its style. Written in a multiplicity of voices, the text oscillates between philosophical reasoning and narrative forms of writing, including micronarratives, fables, parables, and inter alia by Carroll, Hoff mann, and Kleist. Hence the book claims that a transdisciplinary dialogue between the art of acting and the art of philosophical thinking calls for an aesthetic study that questions and begins to seek alternatives to traditionally established and ingrained formats of philosophy. This book is open access under a CC BY license. | ||
| 504 | |a Includes bibliographical references. | ||
| 650 | 0 | |a Acting |x Philosophy. | |
| 650 | 0 | |a Performing arts. |0 http://id.loc.gov/authorities/subjects/sh85099818 | |
| 650 | 0 | |a Actresses. |0 http://id.loc.gov/authorities/subjects/sh85000755 | |
| 650 | 0 | |a Theater |x Philosophy. |0 http://id.loc.gov/authorities/subjects/sh2008112852 | |
| 650 | 0 | |a Performance art. |0 http://id.loc.gov/authorities/subjects/sh85099809 | |
| 650 | 0 | |a Acting. | |
| 650 | 0 | |a Culture |x Study and teaching. |0 http://id.loc.gov/authorities/subjects/sh93005685 | |
| 650 | 0 | |a Theater. |0 http://id.loc.gov/authorities/subjects/sh85134522 | |
| 650 | 6 | |a Art dramatique |x Philosophie. | |
| 650 | 6 | |a Arts du spectacle. | |
| 650 | 6 | |a Actrices. | |
| 650 | 6 | |a Art dramatique. | |
| 650 | 6 | |a Culture |x Étude et enseignement. | |
| 650 | 6 | |a Théâtre. | |
| 650 | 7 | |a actors (performing artists) |2 aat | |
| 650 | 7 | |a acting. |2 aat | |
| 650 | 7 | |a theater (discipline) |2 aat | |
| 650 | 7 | |a Acting. |2 fast |0 (OCoLC)fst00796146 | |
| 650 | 7 | |a Acting |x Philosophy. |2 fast |0 (OCoLC)fst00796155 | |
| 650 | 7 | |a Actresses. |2 fast |0 (OCoLC)fst00796328 | |
| 650 | 7 | |a Culture |x Study and teaching. |2 fast |0 (OCoLC)fst00885086 | |
| 650 | 7 | |a Performance art. |2 fast |0 (OCoLC)fst01057852 | |
| 650 | 7 | |a Performing arts. |2 fast |0 (OCoLC)fst01057887 | |
| 650 | 7 | |a Theater. |2 fast |0 (OCoLC)fst01149217 | |
| 650 | 7 | |a Theater |x Philosophy. |2 fast |0 (OCoLC)fst01149273 | |
| 655 | 4 | |a Electronic books. | |
| 700 | 1 | |a Radosh, Laura, |e translator. | |
| 700 | 1 | |a Lagaay, Alice, |e translator. | |
| 776 | 0 | 8 | |i Printed edition: |z 9781137596338 |
| 830 | 0 | |a Performance philosophy. |0 http://id.loc.gov/authorities/names/no2014156265 | |
| 856 | 4 | 0 | |u https://directory.doabooks.org/handle/20.500.12854/31291 |y Open Access Publishing in European Networks |
| 901 | |a OpenAccess | ||
| 903 | |a HeVa | ||
| 929 | |a oclccm | ||
| 999 | f | f | |i 3a3212ef-98f8-5197-85a7-3372ec64b586 |s 3659ed0a-b6be-5ff6-9051-3af23b73881f |
| 928 | |t Library of Congress classification |a PN2000-PN3307.V3513 2016 |l Online |c UC-FullText |u https://directory.doabooks.org/handle/20.500.12854/31291 |z Open Access Publishing in European Networks |g ebooks |i 12713748 | ||