Colors in fashion /

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Bibliographic Details
Imprint:London ; New York, NY : Bloomsbury Academic, an imprint of Bloomsbury Publishing, Plc, 2017.
©2017
Description:1 online resource (xvii, 227 pages, 24 unnumbered pages of plates) : illustrations (chiefly color)
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12349835
Hidden Bibliographic Details
Other authors / contributors:Faiers, Jonathan, editor.
Bulgarella, Mary Westerman, editor.
ISBN:9781474273718
1474273718
9781474273695
1474273696
9781474273688
1474273688
9781474273701
147427370X
9781350077409
Notes:Includes bibliographical references and index.
Description based on print version record.
Summary:Color speaks a powerful cultural language, displaying political, sexual, and economic messages that, throughout history, have shown how we relate to ourselves and our world. This ground-breaking collection is the first to interrogate how color's manifestation through fashionable and ceremonial dress has played a significant role in the formation of society, performing dialogues of social acceptance and exclusion, convention and subversion. From the use of white in pioneering feminism and the French postwar penchant for black, to mystical scarlet broadcloth and the transformation of arsenic-laden green from consumer favorite to sexual deviant, this book shows that color in dress is never straightforward and is as mutable, nuanced, and varied as color itself. Divided into four thematic parts - solidarity, power, innovation, and desire - each section highlights the often violent, emotional, and complex histories of color in dress across geographical, temporal and cultural boundaries.
Other form:Print version: Colors in fashion. London ; New York, NY : Bloomsbury Academic, an imprint of Bloomsbury Publishing, Plc, 2017 9781474273688
Review by Library Journal Review

Why did the British suffragettes wear white? What color did Thailand's Queen Sirikit sport on Fridays? And why were dyed green carnations in the early 1800s so deadly? The role of color in the world of fashion, as readers will learn, is to inform, communicate, and even discriminate, as well as to illustrate political, economic, and sexual ideas. This book includes 16 of the best papers presented at the 2014 Costume Colloquium conference held in Florence, Italy, and they cover many shades of the rainbow to answer the questions above, as well as the meaning of black in postwar Paris, how fashion and color are used to show identity and belonging with the Yoruba in Nigeria, and how early colorized silent films employed high fashion to attract female viewers and blur the lines between upper- and lower-class forms of entertainment. VERDICT Readers of fashion, costume, and design, as well as anthropology, history, and art history will enjoy this accessible, fun title.-Melissa Aho, Univ. of Minnesota Bio-Medical Lib., Minneapolis © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Library Journal Review