Colors in fashion /

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Bibliographic Details
Imprint:London ; New York, NY : Bloomsbury Academic, an imprint of Bloomsbury Publishing, Plc, 2017.
©2017
Description:1 online resource (xvii, 227 pages, 24 unnumbered pages of plates) : illustrations (chiefly color)
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12349835
Hidden Bibliographic Details
Other authors / contributors:Faiers, Jonathan, editor.
Bulgarella, Mary Westerman, editor.
ISBN:9781474273718
1474273718
9781474273695
1474273696
9781474273688
1474273688
9781474273701
147427370X
9781350077409
Notes:Includes bibliographical references and index.
Description based on print version record.
Summary:Color speaks a powerful cultural language, displaying political, sexual, and economic messages that, throughout history, have shown how we relate to ourselves and our world. This ground-breaking collection is the first to interrogate how color's manifestation through fashionable and ceremonial dress has played a significant role in the formation of society, performing dialogues of social acceptance and exclusion, convention and subversion. From the use of white in pioneering feminism and the French postwar penchant for black, to mystical scarlet broadcloth and the transformation of arsenic-laden green from consumer favorite to sexual deviant, this book shows that color in dress is never straightforward and is as mutable, nuanced, and varied as color itself. Divided into four thematic parts - solidarity, power, innovation, and desire - each section highlights the often violent, emotional, and complex histories of color in dress across geographical, temporal and cultural boundaries.
Other form:Print version: Colors in fashion. London ; New York, NY : Bloomsbury Academic, an imprint of Bloomsbury Publishing, Plc, 2017 9781474273688
Table of Contents:
  • Introduction
  • Part 1. Color and Solidarity
  • 1. Color as Theme in the Ebony Fashion Fair
  • 2. Purity and Parity: The White Dress of the Suffrage Movement in Early Twentieth-Century Britain
  • 3. Birds of the Same "Color" Flock Together: Color as Expression of Identity and Solidarity in Aso-Ebi Cloth of the Yoruba
  • 4. Contradictory Colors: Tricolor in Vichy France's Fashion Culture
  • Part 2. Color and Power
  • 5. Dress and Color at the Thai Court
  • 6. 'Gold and Silver by Night': Queen Alexandra: A Life in Color
  • 7. Lord Boston's Court Uniform: A Story of Color, Politics and the Psychology of Belonging
  • 8. Yellow is the New Red, or Clothing the Recession and How the Shade of Shame Became Chic
  • Part 3. Color and Innovation
  • 9. Color Before Technicolor: Colorized Fashion Films of the Silent Era
  • 10. Color as Concept: From International Klein Blue to Viktor & Rolf's "Bluescreen"
  • 11. Tainted Love: Oscar Wilde's Toxic Green Carnation, Queerness and Chromophobia
  • 12. Starlit Skies Blue versus Durindone Blue
  • Part 4. Color and Desire
  • 13. Rough Wolves in the Sheepcote: The Meanings of Fashionable Color 1909-1914
  • 14. 'Le noir étant la dominante de notre vêture .': The Many Meanings of Black in Post-War Paris
  • 15. British Scarlet Broadcloth: The Perfect Red in Eastern Africa, c.1820 - 1885
  • 16. Lives Lived: Archaeology of Faded Indigo
  • Notes
  • Bibliography
  • Index