Humperdinck : a life of the composer of Hänsel und Gretel /

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Bibliographic Details
Author / Creator:Melton, William, 1954- author.
Imprint:London : Toccata Press, 2020.
©2020
Description:438 pages : illustrations ; 24 cm
Language:English
Subject:
Format: E-Resource Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12408015
Hidden Bibliographic Details
ISBN:9780907689928
0907689922
Notes:Includes bibliographical references and index.
Summary:Engelbert Humperdinck's opera Hansel und Gretel is one of the best-known in the repertoire, its melodies as familiar as folk-tunes - and yet no full-length biography of Humperdinck (1854-1921) has ever been published in English: although highly regarded a century ago, he has since been overshadowed by the continued success of his own fairy-tale creation. His other works remain essentially unknown, but they include five additional operas, ten further stage works (including music for four Shakespeare plays), pieces for orchestra and for chorus, and many songs. This book sets a pioneering examination of Humperdinck's entire output in a biographical framework, with detailed, illustrated descriptions accompanied by quotations from Humperdinck's contemporaries. Humperdinck was a quintessential composer of the Germany of the Kaisers: his maturation coincided with the establishment of the German Empire, and his training with teachers who remembered Beethoven and Schubert culminated in an apprenticeship with Richard Wagner. His talents won him entry to the Bayreuth inner circle and to the home of Johannes Brahms, and earned him a reception with Kaiser Wilhelm II and an evening in Theodore Roosevelt's White House. His friends included Richard Strauss, Hugo Wolf, Gustav Mahler, Giacomo Puccini and Isadora Duncan. Kurt Weill, Leo Blech, and Hans Pfitzner were among his hundreds of students.
Review by Choice Review

German composer Englebert Humperdinck (1854--1921) is remembered chiefly for his three-act opera Hänsel und Gretel. First performed in Weimar before Christmas 1893, the opera is still performed around Christmas time. It is the only one of Humperdinck's works heard today, although he wrote six operas, two string quartets, song cycles, and other compositions. Melton's biography eclipses the only other biographical account of Humperdinck in English, by Ian Denley in Grove Music Online. Drawing on family archives, Melton's biography, replete with musical illustrations and photographs, adds extensively to knowledge about Humperdinck. Melton tells the story of a composer who found his own voice in spite of Wagner, with whom he was associated. Humperdinck became a respected teacher and composer, only to be overshadowed by his near contemporary and friend Richard Strauss. Melton provides, for the first time, a catalog of Humperdinck's works and an index of his compositions. The impression this biography gives is not only one of neglect but of overwhelming sadness as, in footnotes, Melton reveals that the final resting place of many of Humperdinck's close associates and students was Auschwitz. A valuable resource for those interested in late 19th-century and 20th-century music and history. Summing Up: Recommended. Lower-division undergraduates through faculty; professionals; general readers. --William Baker, emeritus, Northern Illinois University

Copyright American Library Association, used with permission.
Review by Choice Review