The global connections of Gandharan art : proceedings of the Third International Workshop of the Gandhāra Connections Project, University of Oxford, 18th-19th March, 2019 /

The global connections of Gandharan art : proceedings of the Third International Workshop of the Gandhāra Connections Project, University of Oxford, 18th-19th March, 2019 /

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Bibliographic Details
Meeting name:	International Workshop of the Gandhāra Connections Project (3rd : 2019 : University of Oxford), creator.
Imprint:	Oxford : Archaeopress Publishing Ltd., 2020.
Description:	1 online resource (vii, 264 pages) : illustrations (some color), maps (some color)
Language:	English
Series:	Archaeopress archaeology Archaeopress archaeology.
Subject:	Art, Gandhara -- Congresses. Art, Gandhara. Conference papers and proceedings.
Format:	E-Resource Map Book
URL for this record:	http://pi.lib.uchicago.edu/1001/cat/bib/12414104

Hidden Bibliographic Details
Other authors / contributors:	Rienjang, Wannaporn, editor. Stewart, Peter, 1971- editor. University of Oxford, host institution.
ISBN:	1789696968 9781789696967 9781789696950 178969695X
Notes:	Includes bibliographical references. Open Access Online resource; title from PDF title page (Archaeopress Web site, viewed on December 14, 2020).
Summary:	Gandharan art is often regarded as the epitome of cultural exchange in antiquity. The ancient region of Gandhara, centred on what is now the northern tip of Pakistan, has been called the 'crossroads of Asia'. The Buddhist art produced in and around this area in the first few centuries AD exhibits extraordinary connections with other traditions across Asia and as far as the Mediterranean. Since the nineteenth century, the Graeco-Roman associations of Gandharan art have attracted particular attention. Classically educated soldiers and administrators of that era were astonished by the uncanny resemblance of many works of Gandharan sculpture to Greek and Roman art made thousands of miles to the west. More than a century later we can recognize that the Gandharan artists' appropriation of classical iconography and styles was diverse and extensive, but the explanation of this 'influence' remains puzzling and elusive. The Gandhara Connections project at the University of Oxford's Classical Art Research Centre was initiated principally to cast new light on this old problem.0This volume is the third set of proceedings of the project's annual workshop, and the first to address directly the question of cross-cultural influence on and by Gandharan art. The contributors wrestle with old controversies, particularly the notion that Gandharan art is a legacy of Hellenistic Greek rule in Central Asia and the growing consensus around the important role of the Roman Empire in shaping it. But they also seek to present a more complex and expansive view of the networks in which Gandhara was embedded. Adopting a global perspective on the subject, they examine aspects of Gandhara's connections both within and beyond South Asia and Central Asia, including the profound influence which Gandharan art itself had on the development of Buddhist art in China and India.
Other form:	Print version: International Workshop of the Gandhāra Connections Project (3rd : 2019 : University of Oxford). Global connections of Gandharan art. Oxford : Archaeopress Publishing Ltd., 2020 9781789696950

Description
Summary:	Gandhāran art is often regarded as the epitome of cultural exchange in antiquity. The ancient region of Gandhāra, centred on what is now the northern tip of Pakistan, has been called the 'crossroads of Asia'. The Buddhist art produced in and around this area in the first few centuries AD exhibits extraordinary connections with other traditions across Asia and as far as the Mediterranean. Since the nineteenth century, the Graeco-Roman associations of Gandhāran art have attracted particular attention. Classically educated soldiers and administrators of that era were astonished by the uncanny resemblance of many works of Gandhāran sculpture to Greek and Roman art made thousands of miles to the west. More than a century later we can recognize that the Gandhāran artists' appropriation of classical iconography and styles was diverse and extensive, but the explanation of this 'influence' remains puzzling and elusive. The Gandhāra Connections project at the University of Oxford's Classical Art Research Centre was initiated principally to cast new light on this old problem.<br> <br> This volume is the third set of proceedings of the project's annual workshop, and the first to address directly the question of cross-cultural influence on and by Gandhāran art. The contributors wrestle with old controversies, particularly the notion that Gandhāran art is a legacy of Hellenistic Greek rule in Central Asia and the growing consensus around the important role of the Roman Empire in shaping it. But they also seek to present a more complex and expansive view of the networks in which Gandhāra was embedded. Adopting a global perspective on the subject, they examine aspects of Gandhāra's connections both within and beyond South Asia and Central Asia, including the profound influence which Gandhāran art itself had on the development of Buddhist art in China and India.
Physical Description:	1 online resource (vii, 264 pages) : illustrations (some color), maps (some color)
Bibliography:	Includes bibliographical references.
ISBN:	1789696968 9781789696967 9781789696950 178969695X
Access:	Open Access