Mambo hips and make believe : a novel /

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Bibliographic Details
Author / Creator:Coleman, Wanda.
Imprint:Santa Rosa : Black Sparrow Press, 1999.
Description:1 online resource (404 pages)
Language:English
Series:Black women writers series.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12469460
Hidden Bibliographic Details
ISBN:1574230956
9781574230956
1574230964
9781574230963
1574230948
9781574230949
Notes:Restrictions unspecified
Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010.
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212
digitized 2010 HathiTrust Digital Library committed to preserve
Print version record.
Summary:The lot of a woman whose malformed sexual organs preclude intercourse. She suffers from loneliness and contemplates suicide, her sole consolation the friendship of another woman.
Other form:Print version: Coleman, Wanda. Mambo hips and make believe. Santa Rosa : Black Sparrow Press, 1999 1574230956 9781574230956
Review by Publisher's Weekly Review

A close friendship between two women is the basis of this ambitious but overlong and discursive novel. Tamala Fortenot, a woman of mixed racial heritage and lofty dreams, seeks to overcome the sometimes comedic but often tragic follies of her alcoholic parents and other eccentric family members, as well as her own emotional conflicts, while maintaining a nourishing relationship with a black woman, Erlene. Between 1976 and 1991, their deep bond survives numerous calamities; the one thing that remains constant is their devotion to pursuing a shared dream of becoming writers. Inspired by the TV mini-series Roots, Tamala, who passes for white on occasion, is trying to write a book about her family, including her rarely discussed Mexican-American heritage. While her career suffers its ups and downs, it is her emotional life that causes Tamala pain. She's been diagnosed with a genetic birth defect that prevented her sexual organs from developing, so she can never have children. This condition, which also prevents the sexual consummation of any relationship, leaves her lonely and suicidal. Only her friendship with Erlene, chronicled by letters closing each chapter, provides some solace, and even that bond is occasionally strained by her restlessness and self-doubt. When Tamala describes herself as a writer, she also reveals her view of herself as a woman: "I am a Morgan horse who wishes she were a thoroughbred." Much of Tamala's poignant story is buried under the weight of excessive family history and awkward plot devices. Erlene rarely emerges as an autonomous character in her own right. While Coleman (Bathwater Wine) exhibits a colorful imagination, the characters and events evolve in a dizzying blur that leaves the reader impressed at the scope of the tale but disappointed with its cumulative effect. (Dec.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Publisher's Weekly Review