Love and variations /

Saved in:
Bibliographic Details
Author / Creator:Satyamurti, Carole.
Imprint:[Place of publication not identified] : Bloodaxe Books, 2000.
Description:1 online resource
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12475544
Hidden Bibliographic Details
ISBN:9781852245269
1852245263
Notes:Title from content provider.
Summary:Annotation Love can be intensely joyful, but it is rarely straightforward. With it, comes misunderstanding, mistrust, and disappointment. People get hurt and fail each other. Lasting love is a hard-won achievement, not a happy accident. Many of Carole Satyamurti's most powerful poems have been fuelled by her fascination with such complexities and contradictions in personal relationships, and here, she writes with passion and intelligence of love's delight and obsession, as well as, its pain and absurdity.
Other form:Print version: Satyamurti, Carole. Love and variations. Cambridge, England : Chadwyck-Healey ; Newcastle upon Tyne, England : Bloodaxe Books, 2000 9781852245269
Review by Kirkus Book Review

Satyamurti is one of the displaced Oxford Poets who was fortunate enough to land at Bloodaxe when OUP summarily discontinued their distinguished poetry series. Her previous volumes had an odd mix of the quotidian and the momentous, a strangely disparate collision of Philip Larkin and Adrienne Rich, if you can imagine such a thing, with a keen focus on disappointed love and surprisingly petty jealousies, accurately rendered in intelligent verse. This is more of the same in some ways, but an advance in a new, firmer tone. The first part is a series of ruminations on the nature of love and, as such, seems a logical refinement of her earlier work. The middle section is a cycle of a dozen short poems on the sudden death (at 51) of a man, possibly Satyamurti’s brother; she avoids the obvious pitfalls of such eulogistic poetry and presents a refreshingly rounded portrait of someone whose failings were obvious and sad, but not quite tragic. The final section is a consideration of the elusiveness and evanescence of identity, and the misleading masks it wears. This last theme proves the richest, reaching a hilarious crescendo in the poem “It’s Not the Same,” a giddy reductio ad absurdum of the theme. On the whole, a pleasing collection.

Copyright (c) Kirkus Reviews, used with permission.
Review by Kirkus Book Review