Walker Evans : no politics /

Walker Evans : no politics /

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Bibliographic Details
Author / Creator:	Schwartz, Stephanie, (Lecturer in American Modernism), author.
Edition:	First edition.
Imprint:	Austin : University of Texas Press, 2020. ©2020
Description:	308 pages : illustrations ; 27 cm
Language:	English
Subject:	Evans, Walker, -- 1903-1975 -- Criticism and interpretation. Evans, Walker, -- 1903-1975. Photography, Artistic. Documentary photography. Documentary photography. Photography, Artistic. Criticism, interpretation, etc.
Format:	Print Book
URL for this record:	http://pi.lib.uchicago.edu/1001/cat/bib/12526549

Hidden Bibliographic Details
ISBN:	9781477320624 1477320628
Notes:	Includes bibliographical references and index.
Summary:	"Stephanie Schwartz's project studies the work of photographer Walker Evans in relation to the history of documentary, modernism, politics, and labor. Her jumping-off point is Evans's first major commission, his 1933 Cuba portfolio. Evans was sent to Cuba by the Philadelphia publishing house J.B. Lippincott to work on photographs that would accompany journalist Carleton Beals's anti-imperialist book The Crime of Cuba. The work Evans was expected to make would capture a world in a state of upheaval; the work he made, by contrast, was of people in posed and quiet states--stevedores and policemen with hats and cigars, the old and the unemployed splayed on park benches. As Schwartz puts it, "Evans refused to bear witness. . . . This book is about Evans's refusal. Why hit the streets in the midst of a revolution and produce such a banal record? Why work for hire and refuse to do the work?" Schwartz moves between the various projects Evans produced between the 1930s and the 1960s, as well as those he began in the 1930s and finished or remade in the 1960s. The result is a sort of intellectual history of Evans, of documentary, and of the idea of work itself"--
Govt.docs classification:	Z UA380.8 Sch95wa

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Call Number:	TR140.E92 S39 2020
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