Cinematic Intermediality : Theory and Practice /
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| Imprint: | Edinburgh : Edinburgh University Press, [2021] |
|---|---|
| Description: | 1 online resource. |
| Language: | English |
| Series: | Edinburgh Studies in Film and Intermediality Edinburgh studies in film and intermediality. |
| Subject: | |
| Format: | E-Resource Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/12531226 |
Table of Contents:
- Intro
- Cinematic Intermediality
- Copyright
- Contents
- Figures
- Acknowledgements
- The Contributors
- Introduction
- Part 1 Mapping the Interzone
- 1 Film and Performance: Intermedial Intersections
- 2 Carving Cameras: Antonioni's Lo Sguardo di Michelangelo (2004)
- 3 The Photo-filmic and the Post-human: Picturesque Landscapes at the Peripheries of Global Cinema
- 4 Dream Screen: On Cinema and Painting, Blur and Absorption
- Part 2 The Intermedial Avant-gardes
- 5 From the Periphery to the Interstices: Avant-garde Film, Medium Specificity and Intermediality, 1970-2015
- 6 The 'Artist as Filmmaker': Modernisms, Schisms, Misunderstandings
- 7 The Artwork/Statement as Intermedial Nexus: Paul Sharits's N:O:T:H:I:N:G
- Part 3 Technology, Apparatus, Affect
- 8 Intermediality and the Origins of Cinema
- 9 Cinematography's Blind Spots: Artistic Exploitations of the Film Frame
- 10 Filming and Feeling between the Arts: Pascale Breton, Suite armoricaine, and Eugène Green, Le Fis de Joseph
- Part 4 Intermedial Creation
- 11 What Does a Dance Filmmaker See?
- 12 Performance, Moving Image, Installation: The Making of Body of War and Faith
- 13 Muybridge's Disobedient Horses: Non-stop Stop-motion
- 14 A Dialogue with Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror
- Index
