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091210s2010 caua 001 0 eng |
| 010 |
|
|
|a 2009051981
|
| 020 |
|
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|a 9781935247012
|q (alk. paper)
|
| 020 |
|
|
|a 1935247018
|q (alk. paper)
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| 035 |
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|
|a (OCoLC)482631902
|
| 040 |
|
|
|a DLC
|b eng
|c DLC
|d YDX
|d YDXCP
|d BDX
|d OCLCF
|d NJI
|d DEBBG
|d GTA
|d OCLCQ
|d OCLCO
|d TNX
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|d OCLCQ
|d CCH
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|a pcc
|
| 050 |
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|a PN1996
|b .S384 2010
|
| 082 |
0 |
0 |
|a 808.2/3
|2 22
|
| 100 |
1 |
|
|a Seger, Linda.
|0 http://id.loc.gov/authorities/names/n86129930
|1 http://viaf.org/viaf/32092110
|
| 245 |
1 |
0 |
|a Making a good script great /
|c Linda Seger.
|
| 250 |
|
|
|a 3rd ed, rev. & expanded.
|
| 260 |
|
|
|a Beverly Hills, CA :
|b Silman-James Press,
|c ©2010.
|
| 300 |
|
|
|a xix, 252 pages :
|b illustrations ;
|c 22 cm
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|0 http://id.loc.gov/vocabulary/contentTypes/txt
|
| 337 |
|
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|b n
|2 rdamedia
|0 http://id.loc.gov/vocabulary/mediaTypes/n
|
| 338 |
|
|
|a volume
|b nc
|2 rdacarrier
|0 http://id.loc.gov/vocabulary/carriers/nc
|
| 500 |
|
|
|a Includes index.
|
| 505 |
0 |
|
|a Introduction -- Gathering ideas -- The three-act structure: why you need it and what to do with it -- What do subplots do? -- Act two -- how to keep it moving -- Establishing a point of view -- Creating the scene -- Creating a cohesive script -- Making it commercial -- Balancing images and dialogue -- From motivation to goal: finding your character's spine -- Finding the conflict -- Creating multidimensional and transformational characters -- Character functions -- A case study: writer Paul Higgins in his own words.
|
| 520 |
|
|
|a Making a good script great is more than just a matter of putting a good idea on paper. It requires the working and reworking of that idea. This book takes you through the whole screenwriting process- from initial concept through final rewrite- providing specific methods that will help you craft tighter, stronger, and more salable scripts. While retaining the invaluable insights that placed its first 2 editions among the all-time most popular screenwriting books, this expanded, revised, and updated third edition adds rich and important new material on dialogue, cinematic images, and point of view. If you're writing your first script, this book will help develop your skills for telling a compelling and dramatic story. If you're a veteran screenwriter, it will help you articulate the skills you know intuitively. And if you're currently stuck on a rewrite, this book will help you analyze and solve your script's problems and get it back on track. -- Publisher description.
|
| 650 |
|
0 |
|a Motion picture authorship.
|0 http://id.loc.gov/authorities/subjects/sh85088030
|
| 650 |
|
7 |
|a Motion picture authorship.
|2 fast
|0 (OCoLC)fst01027122
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| 903 |
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|a HeVa
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| 903 |
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| 710 |
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|a Fire Escape Films Reference Collection
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