Popular music and multimodal critical discourse studies : ideology, control, and resistance in Turkey since 2002 /

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Bibliographic Details
Author / Creator:Way, Lyndon C. S., author.
Imprint:London ; New York : Bloomsbury Academic, 2018.
Description:1 online resource (ix, 198 pages)
Language:English
Series:Bloomsbury advances in critical discourse studies
Bloomsbury advances in critical discourse studies.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12541047
Hidden Bibliographic Details
ISBN:9781350016460
1350016462
9781350016453
1350016454
9781350016446
1350016446
Notes:Includes bibliographical references and index.
Online resource; title from digital title page (viewed on June 11, 2019).
Summary:"Popular music has long been used to entertain, provoke, challenge and liberate but also to oppress and control. Can popular music be political? What types of popular music work best with politics? How can songs, videos, concerts or any other musical commodity convey ideas about power, politics and identity? Using Multimodal Critical Discourse Studies (MCDS), this book reveals the deeply political role played by popular music. Lyndon Way demonstrates how MCDS can provide important and timely insights on the political nature of popular music, due to its focus on how communication takes place, as well as its interest in discourse and how ideologies are naturalised and legitimised. The book considers the example of contemporary Turkish society, with its complex and deep ideological divisions increasingly obvious under the stewardship of President Recep Tayyip Erdogan and his centre-right political party, in power since 2002. It looks at how the authorities seek to harness and control popular music and considers a wide range of popular music genres including rock, rap, protest and folk music. It shows how official promotional videos, protest cut-and-paste offerings, party-political election songs, live music events and internet discussions about popular music emerge as sites of power and resistance in certain venues and particularly across social media. Throughout the book, Lyndon Way shows that popular music is also deeply political."--Bloomsbury Publishing.
Other form:Print version: Way, Lyndon C.S. Popular music and multimodal critical discourse studies. New York : Bloomsbury Academic, 2017 9781350016446

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264 1 |a London ;  |a New York :  |b Bloomsbury Academic,  |c 2018. 
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490 1 |a Bloomsbury advances in critical discourse studies 
504 |a Includes bibliographical references and index. 
505 0 |a "Cover"; "Contents"; "List of Figures"; "Acknowledgments"; "Preface"; "1 Introduction"; "2 Approaches to the Study of Music and Meaning"; "3 Difficult Relations: Music, Politics, and Authenticity"; "4 Turkey under the Stewardship of AKP"; "5 Political Parties and Pop"; "6 Concerts as Multimodal Communication"; "7 Music Videos against Government Policies"; "8 Online Music in Social Movements"; "9 Politics, Music, and Social Media Posts"; "10 Final Notes"; "Notes"; "References." 
520 |a "Popular music has long been used to entertain, provoke, challenge and liberate but also to oppress and control. Can popular music be political? What types of popular music work best with politics? How can songs, videos, concerts or any other musical commodity convey ideas about power, politics and identity? Using Multimodal Critical Discourse Studies (MCDS), this book reveals the deeply political role played by popular music. Lyndon Way demonstrates how MCDS can provide important and timely insights on the political nature of popular music, due to its focus on how communication takes place, as well as its interest in discourse and how ideologies are naturalised and legitimised. The book considers the example of contemporary Turkish society, with its complex and deep ideological divisions increasingly obvious under the stewardship of President Recep Tayyip Erdogan and his centre-right political party, in power since 2002. It looks at how the authorities seek to harness and control popular music and considers a wide range of popular music genres including rock, rap, protest and folk music. It shows how official promotional videos, protest cut-and-paste offerings, party-political election songs, live music events and internet discussions about popular music emerge as sites of power and resistance in certain venues and particularly across social media. Throughout the book, Lyndon Way shows that popular music is also deeply political."--Bloomsbury Publishing. 
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