The art of society 1900-1945 : the Nationalgalerie Collection /

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Bibliographic Details
Imprint:Berlin : Nationalgalerie, Staatliche Museen zu Berlin : DCV, Dr. Cantz'sche Verlagsgesellschaft mbH & Co. KG, [2021]
©2021
Description:287 pages : illustrations (chiefly color), facsimiles, maps, plan, portraits ; 27 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12616096
Hidden Bibliographic Details
Other authors / contributors:Scholz, Dieter, 1960- editor.
Hiebert Grun, Irina, 1982- editor.
Jäger, Joachim, 1963- editor.
Neue Nationalgalerie (Germany), host institution.
ISBN:9783969120347
3969120349
Notes:On the occasion of an exhibition held at Staatliche Museen zu Berlin, Neue Nationalgalerie, August 22, 2021 - July 2, 2023.
Includes bibliographical references (pages 278-281) and index.
Summary:The Mies van der Rohe-designed museum reopens with a presentation of the highlights of classic modernism between 1900 and 1945 from the Nationalgalerie's holdings. The paintings and sculptures make for a vivid illustration of various tendencies in the art of the period, with emphases on Expressionism, the Bauhaus, the New Objectivity, and Surrealism. They also document the close ties between art and society in the German Empire, the Weimar Republic, and under National Socialism--from Paula Modersohn-Becker and Edvard Munch to George Grosz and Lotte Laserstein and on to Max Ernst and Salvador Dalí. The catalogue provides complete documentation of the works on view in the exhibition. Introductory essays at the beginning of each section are complemented by explanatory notes on selected major works and brief discussions of special aspects.
Standard no.:9783969120347
Table of Contents:
  • Foreword
  • The Art of Society
  • Life and Reform
  • Longing for What?
  • Images from the Modern Psyche: Edvard Munch's Frieze
  • Freedom of Expression
  • Who Were the Female Models for the Brücke Artists?
  • Rosa Schapire, More Than a "Passive" Brücke Member
  • How Is the Brücke Connected to Germany's Colonial History?
  • Slivers of the City
  • What Is "Modernity"?
  • At the Centre of the Metropolis: Potsdamer Platz
  • Ernst Ludwig Kirchner and Max Liebermann
  • Hannah Hoch's Epochal Image of the Weimar Republic
  • The Powers of Der Sturm
  • Rediscovered Identity: Erich Mühsam
  • Women Artists at the Sturm Gallery
  • Trauma and Destruction
  • Where Did the First World War Take Place?
  • Who Were the Pillars of Society?
  • Politics and Propaganda
  • Heinrich Vogeler Produced a New Form: The Komplexbild
  • Women in Need. The Struggle to Legalize Abortion
  • Modes of Abstraction
  • Creativity and Child's Play at the Bauhaus
  • Envoy of the Metaphysical: Hilma af Klint
  • The Architecture of Progress
  • A Railway Station with Three Bridges: Social Analysis in Painting
  • The Great Metaphysician - What's Wrong with It?
  • Dream Worlds
  • "Oscillation" and "Action Painting"
  • The Nonconformist Surrealist Leonor Fini
  • Sharp Looks
  • The New Feminine Self-Image
  • Who Is Sonja?
  • Exile
  • What Is "Degenerate Art"?
  • A Discomforting Portrait by Max Beckmann
  • Faces of the Day
  • The Sculptor Renée Sintenis
  • Sculpture and the Human Being: Prometheus and Zwitter
  • War and Annihilation
  • Alice Lex-Nerlinger: Field-Grey Yields Dividends
  • Why Are Paintings Altered Retroactively?
  • Selected Bibliography
  • List of Names
  • Photo Credits and Copyrights
  • Acknowledgements
  • Imprint