Black gathering : art, ecology, ungiven life /

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Bibliographic Details
Author / Creator:Cervenak, Sarah Jane, 1975- author.
Imprint:Durham : Duke University Press, 2021.
©2021
Description:xi, 194 pages : illustrations (black and white) ; 23 cm.
Language:English
Series:Black outdoors : innovations in the poetics of study
Black outdoors.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12626911
Hidden Bibliographic Details
ISBN:9781478013556
1478013559
9781478014478
1478014474
9781478021773
Notes:Includes bibliographical references and index.
Summary:"In Black Gathering, Sarah Jane Cervenak engages post-1970s Black artists and writers who, through language, image, and form, create alternate environments for Black people and earth to come together without interruption or regulation. Drawing on Black feminist theory, critical theories of ecology and ecoaesthetics, and theories of Black aesthetics, Cervenak engages Black artistic enactments of ecology and ungiven life. She thinks particularly about how Black artists and writers, like Gayl Jones and Clementine Hunter, enact spaces of gathering for the besieged to come together without regulation. Moreover, she attends to the significance of Black artists' gatherings as praxis, as practice without the interruptions of imposed category or imposed relation"--
Other form:Online version: Cervenak, Sarah Jane, 1975- Black gathering. Durham : Duke University Press, 2021. 9781478021773

MARC

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264 1 |a Durham :  |b Duke University Press,  |c 2021. 
264 4 |c ©2021 
300 |a xi, 194 pages :  |b illustrations (black and white) ;  |c 23 cm. 
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490 1 |a Black outdoors : innovations in the poetics of study 
504 |a Includes bibliographical references and index. 
505 0 |a "For a while at least" : Toni Morrison, Nikki Wallschlaeger, and the ecoaesthetic shapes of home -- The art of the matter : Samiya Bashir and Gabrielle Ralambo-Rajerison's cosmopoetics -- Arrangements against the sentence : Gayl Jones's early literature" -- "A "project from outside" : Leonardo Drew's sculpture -- Conclusion: Clementine Hunter's unscalable field. 
520 |a "In Black Gathering, Sarah Jane Cervenak engages post-1970s Black artists and writers who, through language, image, and form, create alternate environments for Black people and earth to come together without interruption or regulation. Drawing on Black feminist theory, critical theories of ecology and ecoaesthetics, and theories of Black aesthetics, Cervenak engages Black artistic enactments of ecology and ungiven life. She thinks particularly about how Black artists and writers, like Gayl Jones and Clementine Hunter, enact spaces of gathering for the besieged to come together without regulation. Moreover, she attends to the significance of Black artists' gatherings as praxis, as practice without the interruptions of imposed category or imposed relation"--  |c Provided by publisher. 
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