Performance and posthumanism : staging prototypes of composite bodies /

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Bibliographic Details
Imprint:Cham : Palgrave Macmillan, [2021]
©2021
Description:1 online resource () : illustrations (some color)
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12627230
Hidden Bibliographic Details
Other authors / contributors:Stalpaert, Christel, editor.
Baarle, Kristof van, 1989- editor.
Karreman, Laura, editor.
ISBN:9783030747459
303074745X
9783030747442
3030747441
Notes:Includes index.
Online resource; title from PDF title page (SpringerLink, viewed September 8, 2021).
Other form:Print version: Performance and posthumanism. Basingstoke : Palgrave Macmillan, 2021 9783030747442
Standard no.:10.1007/978-3-030-74745-9
Table of Contents:
  • 1. Performance and Posthumanism: Co-Creation, Response-ability and Epistemologies; Christel Stalpaert, Kristof van Baarle and Laura Karreman
  • 2. 9 variations on things and performance; Andre Lepecki
  • 3. Does the donkey act? Balthazar as protagonist; Maximilian Haas
  • 4. Latent Performances. Conditions for some things to happen; Daniel Blanga-Gubbay
  • 5. Aesthetics of Mykorrhiza. The practice of Apparatus; Stefenie Wenner
  • 6. On Composite Bodies and New Media Dramaturgy; Peter Eckersall and Kris Verdonck
  • 7. Decoding Effet Papillon, choreography for three dancers inspired by the world of video games; Mylene Benoit and Philippe Guisgand
  • 8. The refrain and the territory of the posthuman; Aline Wiame
  • 9. The right to remain forgotten and the data crimes of post-digital culture: a ceaseless traumatic event; Matthew Causey
  • 10. The Biography of a Digital Device. The Interwovenness of Human and Non-Human Movements in Production and Distribution Processes as thematized in the Artwork Rare Earthenware by Unknown Fields; Martina Ruhsam
  • 11. Tentacular Thinking-With-Things in Storied Places. Parliament of Things (2019) by Building Conversation; Christel Stalpaert
  • 12. The Point of the Matter: Performativity in Scientific Practices; Maaike Bleeker and Jean Paul Van Bendegem
  • 13. Music Notation and Distributed Creativity: The Textility of Score Annotation; Emily Payne and Floris Schuiling
  • 14. Spectators in the laboratory: between theatre and technoscience; Mateusz Borowski, Mateusz Chaberski, Magorzata Sugiera
  • 15. A Hybrid Device to Choreograph the Gaze: Embodying Vision through a Historical Discourse on Optics in Benjamin Vandewalles Peri-Sphere; Helena Julian and Dieter Brusselaers.