Bibliographic Details
| Edition: | Primera editión = First edition.
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| Imprint: | Barcelona : LCVI, La Virreina Centre de la Imatge : RM Verlag ; Cádiz, España : CIC, Casa de Iberoamérica de Cádiz ; A Coruña, España : FLS, Fundación Luis Seoane ; Ciudad de Mexico : MUAC, Museo Universitario Arte Contemporáneo, UNAM, 2021.
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| Description: | 311 pages : illustrations (chiefly color), facsimiles, maps, portraits ; 22 cm.
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| Language: | Spanish
English |
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| Series: | Folio MUAC ; 086
Folio MUAC ; 086.
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| Subject: | |
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| Format: | Print
Book
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| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/12636552 |
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Hidden Bibliographic Details
| Varying Form of Title: | Nueva babilonia : designar o no un trabajo como arte es una decisión táctica
New Babylon : whether or not to appoint a work as art is a tactical decision
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| Other authors / contributors: | Expósito, Marcelo, artist, writer of supplementary textual content.
López, Vanessa, 1991- editor.
Xanic López, Ana, editor.
Álvarez Romero, Ekaterina, editor.
Universidad Nacional Autónoma de México. Museo Universitario Arte Contemporáneo, host institution.
Fundación Luis Seoane, host institution.
Casa de Iberoamérica (Cádiz, Spain), host institution.
Palau de la Virreina (Barcelona, Spain), host institution.
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| ISBN: | 9788494855887
8494855883
9788487963452
8487963455
9788491563341
8491563342
841797573X
9788417975739
9786073046633
6073046634
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| Notes: | "Published on occasion of the exhibition Marcelo Expósito. New Babylon: Whether or Not to Appoint a Work as Art Is a Tactical Decision (June 11 to September 26, 2021) LVCI, La Virreina Centre de la Image, Barcelona; (October 18, 2021 to January 8, 2022) CIC, Casa de Iberoamérica de Cádiz; (April 9 to October 16, 2022) MUAC, Museo Universitario Arte Contemporáneo, UNAM, Mexico City; (April 29 to September 18, 2022) FLS, Fundación Luis Seoane, A Coruña"--facing title page.
Includes bibliographical references.
Texts in Spanish and English.
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| Summary: | The first major retrospective on the artistic career of Marcelo Expósito (Puertollano, 1966) over the past nearly four decades. The exhibition comprises from his first editorial and videographic works, made during the first half of the eighties; his research on the visual imaginaries of Francoism, developed in the nineties; his exploration of the grammars of social movements, of the two thousand, as well as several unpublished projects, carried out on the occasion of this exhibition.
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