Helen Chadwick : constructing identities between art and architecture /

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Bibliographic Details
Author / Creator:Walker, Stephen, 1966- author.
Imprint:London : I.B. Tauris, 2013.
New York, NY : Palgrave Macmillan
Description:1 online resource (xvi, 223 pages) : illustrations
Language:English
Series:International library of modern and contemporary art ; 14
International library of modern and contemporary art ; 14.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12644757
Hidden Bibliographic Details
Other uniform titles:Chadwick, Helen. Works. Selections.
ISBN:9780857722829
0857722824
9781780760070
1780760078
Notes:Includes bibliographical references and index.
Print version record.
Summary:Shifting from early institutional and architectural critique to personal, poetic installations, photography projects and sculptures, British artist Helen Chadwick (1953-1996) produced a wide-ranging body of work in an assortment of media. In this book, Stephen Walker looks beyond the apparent variety of this work and identifies a consistent range of issues and enduring interests. Critical of the impact that limiting political, philosophical and scientific constructions have on identity, Chadwick's art can offer insights into a number of major, enduring questions: the relationship between body.
Other form:Print version: Walker, Stephen, 1966- Helen Chadwick. London : I.B. Tauris, 2013 9781780760070

MARC

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245 1 0 |a Helen Chadwick :  |b constructing identities between art and architecture /  |c Stephen Walker. 
264 1 |a London :  |b I.B. Tauris,  |c 2013. 
264 2 |a New York, NY :  |b Palgrave Macmillan 
300 |a 1 online resource (xvi, 223 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a International library of modern and contemporary art ;  |v 14 
504 |a Includes bibliographical references and index. 
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505 0 |a List of Illustrations; Acknowledgements; Preface; Integration of sources; Introduction: New negotiations; Part One: The creative process and the creative persona; 1. The creative self; 2. The creative process and total pattern; Part Two: Experience, architecture and identity; 3. Body and self; 4. 'Multistability' and viewing position; Part Three: Artifice and nature; 5. The grotto and architectural conceit; 6. Architecture, the divinities and the authority of science; 7. 'Viral architecture' and the rapprochement of art and science; Part Four: Theory and practice. 
505 8 |a 8. Geometry, 'stereonomy' and surface9. The role of making; Conclusion; Notes; Bibliography; Index. 
520 |a Shifting from early institutional and architectural critique to personal, poetic installations, photography projects and sculptures, British artist Helen Chadwick (1953-1996) produced a wide-ranging body of work in an assortment of media. In this book, Stephen Walker looks beyond the apparent variety of this work and identifies a consistent range of issues and enduring interests. Critical of the impact that limiting political, philosophical and scientific constructions have on identity, Chadwick's art can offer insights into a number of major, enduring questions: the relationship between body. 
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