Ad vivum? : visual materials and the vocabulary of life-likeness in Europe before 1800 /

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Bibliographic Details
Imprint:Leiden ; Boston : Brill, 2019.
©2019
Description:1 online resource (xvii, 359 pages) : illustrations (some color).
Language:English
Series:Intersections : interdisciplinary studies in early modern culture ; volume 61
Intersections (Boston, Mass.) ; v. 61.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12649188
Hidden Bibliographic Details
Other authors / contributors:Balfe, Thomas, editor.
Woodall, Joanna, editor.
Zittel, Claus, editor.
ISBN:9789004393998
9004393994
9789004329942
9004329943
Notes:Includes bibliographical references and index
Description based on online resource; title from digital title page (viewed on July 27, 2020).
Summary:"The term ad vivum and its cognates al vivo, au vif, nach dem Leben and naer het leven have been applied since the thirteenth century to depictions designated as from, to or after (the) life. This book explores the issues raised by this vocabulary and related terminology with reference to visual materials produced and used in Europe before 1800, including portraiture, botanical, zoological, medical and topographical images, images of novel and newly discovered phenomena, and likenesses created through direct contact with the object being depicted. The designation ad vivum was not restricted to depictions made directly after the living model, and was often used to advertise the claim of an image to be a faithful likeness or a bearer of reliable information. Viewed as an assertion of accuracy or truth, ad vivum raises a number of fundamental questions in the area of early modern epistemology--questions about the value and prestige of visual and/or physical contiguity between image and original, about the kinds of information which were thought important and dependably transmissible in material form, and about the roles of the artist in that transmission. The recent interest of historians of early modern art in how value and meaning are produced and reproduced by visual materials which do not conform to the definition of art as unique invention, and of historians of science and of art in the visualisation of knowledge, has placed the questions surrounding ad vivum at the centre of their common concerns. Contributors include: José Beltrán, Carla Benzan, Eleanor Chan, Robert Felfe, Mechthild Fend, Sachiko Kusukawa, Pieter Martens, Richard Mulholland, Noa Turel, and Daan Van Heesch"--
Other form:Print version: Ad vivum? Leiden ; Boston : Brill, [2019] 9789004329942
Standard no.:10.1163/9789004393998
Description
Summary:The term ad vivum and its cognates al vivo , au vif , nach dem Leben and naer het leven have been applied since the thirteenth century to depictions designated as from, to or after (the) life. This book explores the issues raised by this vocabulary and related terminology with reference to visual materials produced and used in Europe before 1800, including portraiture, botanical, zoological, medical and topographical images, images of novel and newly discovered phenomena, and likenesses created through direct contact with the object being depicted. The designation ad vivum was not restricted to depictions made directly after the living model, and was often used to advertise the claim of an image to be a faithful likeness or a bearer of reliable information. Viewed as an assertion of accuracy or truth, ad vivum raises a number of fundamental questions in the area of early modern epistemology - questions about the value and prestige of visual and/or physical contiguity between image and original, about the kinds of information which were thought important and dependably transmissible in material form, and about the roles of the artist in that transmission. The recent interest of historians of early modern art in how value and meaning are produced and reproduced by visual materials which do not conform to the definition of art as unique invention, and of historians of science and of art in the visualisation of knowledge, has placed the questions surrounding ad vivum at the centre of their common concerns.<br> <br> <br> <br> Contributors: Thomas Balfe, José Beltrán, Carla Benzan, Eleanor Chan, Robert Felfe, Mechthild Fend, Sachiko Kusukawa, Pieter Martens, Richard Mulholland, Noa Turel, Joanna Woodall, and Daan Van Heesch.
Physical Description:1 online resource (xvii, 359 pages) : illustrations (some color).
Bibliography:Includes bibliographical references and index
ISBN:9789004393998
9004393994
9789004329942
9004329943