Coloring whiteness : acts of critique in Black performance /

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Bibliographic Details
Author / Creator:	Carpenter, Faedra Chatard.
Imprint:	Ann Arbor : University of Michigan Press, [2014]
Description:	1 online resource.
Language:	English
Series:	Theater : Theory/Text/Performance Theater--theory/text/performance.
Subject:	African American theater -- History -- 20th century. African Americans -- Race identity. Whites -- Race identity. African Americans in the performing arts. African American theater. African Americans in the performing arts. African Americans -- Race identity. Race relations. Whites -- Race identity. United States -- Race relations -- 20th century. United States. History.
Format:	E-Resource Book
URL for this record:	http://pi.lib.uchicago.edu/1001/cat/bib/12681211

Hidden Bibliographic Details
ISBN:	9780472120659 0472120654 9780472052363 9780472072361 0472052365 9780472052363 1322507422 9781322507422 0472072366
Notes:	Includes bibliographical references (pages 279-292) and index. English. Description based on print version record.
Summary:	"Coloring Whiteness pays homage to the ways that African American artists and performers have interrogated tropes and mythologies of whiteness to reveal racial inequalities, focusing on comedy sketches, street theater, visual art, video, TV journalism, and voice-over work since 1964. By investigating enactments of whiteness--from the use of white makeup and suggestive masks, to literary motifs and cultural narratives regarding "white" characteristics and qualities--Faedra Chatard Carpenter explores how artists have challenged commonly held notions of racial identity. Through its layered study of expressive culture, her book considers how artistic and performance strategies are used to "color" whiteness and complicate blackness in our contemporary moment. Utilizing theories of performance and critical race studies, Coloring Whiteness is also propelled by Carpenter's dramaturgical sensibilities. Her analysis of primary performance texts is informed not only by traditional print and visual materials, but also by her interviews with African American theater artists, visual artists, and cultural critics. The book is an invaluable contribution to the fields of theater and performance studies, African American studies, cultural studies, critical race studies, and American studies"-- Provided by publisher.
Other form:	Print version: Coloring whiteness Ann Arbor : University of Michigan Press, [2014] 9780472072361
Standard no.:	10.3998/mpub.5262413

Table of Contents:

Introduction: Dramaturgies of Whiteness in Contemporary African American Performance; Chapter One. Douglas Turner Ward's Play on Whiteness: Day of Absence on America's Public Stages; Chapter Two. Staging Hegemonic Whiteness: The Bluest Eye and the Performative Paradoxes of (In)visibility; Chapter Three. Whiteness as "Becoming":The Corporeal Crossovers of Daniel Tisdale and Michael Jackson; Chapter Four. "Mixing It Up": Enacting Whiteness in the Comedic World of Dave Chappelle
Chapter Five. "Sounding Off on Sounding White": Aural Whiteness, Linguistic Whiteface, and the Economics of OpportunityCoda: Whiteface to Postrace? The Artful Interrogations of Jefferson Pinder; Notes; Bibliography; Index

Coloring whiteness : acts of critique in Black performance /

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