After live : possibility, potentiality, and the future of performance /

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Bibliographic Details
Author / Creator:Sack, Daniel, 1980- author.
Imprint:Ann Arbor : University of Michigan Press, [2015]
Description:1 online resource.
Language:English
Series:Theater, theory/text/performance
Theater--theory/text/performance.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12681245
Hidden Bibliographic Details
ISBN:9780472121427
0472121421
0472052861
9780472052868
0472072862
9780472072866
Digital file characteristics:data file
Notes:Includes bibliographical references and index.
English.
Description based on print version record.
Summary:Conceives of traditional dramatic theater as a place for taming the future and then conceptualizes how performance beyond this paradigm might stage the unruly nature of futurity. Chapters offer insights into the plays of Beckett, Churchill, Eno, and Gombrowicz, devised theater practices, and include an extended exploration of the Italian director Romeo Castellucci. Through the lens of potentiality, other chapters present novel approaches to minimalist sculpture and dance, then reflect on how the beholder him- or herself is called upon to perform when confronted by such work.
Other form:Print version: Sack, Daniel, 1980- author. After live Ann Arbor : University of Michigan Press, [2015] 9780472052868 (paperback)
Standard no.:10.3998/mpub.7027630
Description
Summary:In the dark of the blackout before the curtain rises, the theater holds its many worlds suspended on the verge of appearance. How can a performance sustain this sense of potentiality that grounds all live production? Or if a stage-world does begin, what kinds of future might appear within its frame? Conceiving of the theater as a cultural institution devoted to experimenting with the future, this book begins and ends on the dramatic stage; in between it traverses literature, dance, sculpture, and performance art to explore the various futures we make in a live event. <br> After Live conceives of traditional dramatic theater as a place for taming the future and then conceptualizes how performance beyond this paradigm might stage the unruly nature of futurity. Chapters offer insights into the plays of Beckett, Churchill, Eno, and Gombrowicz, devised theater practices, and include an extended exploration of the Italian director Romeo Castellucci. Through the lens of potentiality, other chapters present novel approaches to minimalist sculpture and dance, then reflect on how the beholder him or herself is called upon to perform when confronted by such work.
Physical Description:1 online resource.
Bibliography:Includes bibliographical references and index.
ISBN:9780472121427
0472121421
0472052861
9780472052868
0472072862
9780472072866