Ruling culture : art police, tomb robbers, and the rise of cultural power in Italy /

Saved in:
Bibliographic Details
Author / Creator:Greenland, Fiona, 1975- author.
Imprint:Chicago ; London : The University of Chicago Press, 2021.
©2021
Description:257 pages : illustrations, map ; 23 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12701892
Hidden Bibliographic Details
ISBN:9780226756981
022675698X
9780226757032
022675703X
9780226757179
Notes:Includes bibliographical references and index.
Summary:"A major, on-the-ground look at antiquities looting in Italy. More looting of ancient art takes place in Italy than in any other country. Ironically, Italy trades on the fact to demonstrate its cultural superiority over other countries. And, more than any other country, Italy takes pains to prevent looting by instituting laws, cultural policies, export taxes, and a famously effective art-crime squad that has been the inspiration of novels, movies, and tv shows. In fact, Italy is widely regarded as having invented the discipline of art policing. In 2006 the then-president of Italy declared his country to be 'the world's greatest cultural power.' Why do Italians believe this? Why is the patria, or 'homeland,' so frequently invoked in modern disputes about ancient art, particularly when it comes to matters of repatriation, export, and museum loans? [This book] addresses these questions by tracing the emergence of antiquities as a key source of power in Italy from 1815 to the present. Along the way, it investigates the activities and interactions of three main sets of actors: state officials (including Art Squad agents), archaeologists, and illicit excavators and collectors"--

MARC

LEADER 00000cam a2200000 i 4500
001 12701892
008 200924t20212021iluab b 001 0 eng
005 20220215155727.5
010 |a  2020043888 
035 |a (OCoLC)on1197568081 
040 |a ICU/DLC  |b eng  |e rda  |c DLC  |d OCLCO  |d BDX  |d YDX  |d OCLCF  |d UKMGB  |d YDX  |d GWL  |d OCLCO  |d OCLCA  |d CGU 
020 |a 9780226756981  |q hardcover 
020 |a 022675698X  |q hardcover 
020 |a 9780226757032  |q paperback 
020 |a 022675703X  |q paperback 
020 |z 9780226757179  |q electronic book 
035 |a (OCoLC)1197568081 
042 |a pcc 
043 |a e-it--- 
050 0 0 |a KKH3183  |b .G737 2021 
049 |a CGUA 
100 1 |a Greenland, Fiona,  |d 1975-  |e author. 
245 1 0 |a Ruling culture :  |b art police, tomb robbers, and the rise of cultural power in Italy /  |c Fiona Greenland. 
264 1 |a Chicago ;  |a London :  |b The University of Chicago Press,  |c 2021. 
264 4 |c ©2021 
300 |a 257 pages :  |b illustrations, map ;  |c 23 cm 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
505 0 |a The world's greatest cultural power -- Art squad agonistes -- The American price -- Distributing sovereignty : from fascism to the art squad -- Tomb robbers and cultural power from below -- Made in Italy -- Farewell to the tomb robber. 
520 |a "A major, on-the-ground look at antiquities looting in Italy. More looting of ancient art takes place in Italy than in any other country. Ironically, Italy trades on the fact to demonstrate its cultural superiority over other countries. And, more than any other country, Italy takes pains to prevent looting by instituting laws, cultural policies, export taxes, and a famously effective art-crime squad that has been the inspiration of novels, movies, and tv shows. In fact, Italy is widely regarded as having invented the discipline of art policing. In 2006 the then-president of Italy declared his country to be 'the world's greatest cultural power.' Why do Italians believe this? Why is the patria, or 'homeland,' so frequently invoked in modern disputes about ancient art, particularly when it comes to matters of repatriation, export, and museum loans? [This book] addresses these questions by tracing the emergence of antiquities as a key source of power in Italy from 1815 to the present. Along the way, it investigates the activities and interactions of three main sets of actors: state officials (including Art Squad agents), archaeologists, and illicit excavators and collectors"--  |c Provided by the publisher. 
650 0 |a Classical antiquities thefts  |z Italy. 
650 0 |a Art thefts  |x Law and legislation  |z Italy. 
650 0 |a Cultural property  |x Protection  |x Law and legislation  |z Italy. 
651 0 |a Italy  |x Antiquities. 
650 7 |a Antiquities.  |2 fast  |0 (OCoLC)fst00810745 
650 7 |a Cultural property  |x Protection  |x Law and legislation.  |2 fast  |0 (OCoLC)fst00885028 
650 7 |a Art thefts  |x Law and legislation.  |2 fast  |0 (OCoLC)fst01909236 
650 7 |a Classical antiquities thefts.  |2 fast  |0 (OCoLC)fst00863464 
651 7 |a Italy.  |2 fast  |0 (OCoLC)fst01204565 
901 |a UCPress 
929 |a cat 
999 f f |s c8b91da3-8d1f-45c4-a72e-5e27295b5596  |i c8b91da3-8d1f-45c4-a72e-5e27295b5596 
928 |t Library of Congress classification  |a KKH3183.G737 2021  |l ASR  |c SPCLASR-UCPress  |i 12837780 
927 |t Library of Congress classification  |a KKH3183.G737 2021  |l ASR  |c SPCLASR-UCPress  |b 115217053  |i 10362139