The films of Mary Harron /

Saved in:

Bibliographic Details
Imprint:	Edinburgh : Edinburgh University Press, [2022] ©2022
Description:	xi, 176 pages : illustrations (black and white) ; 24 cm.
Language:	English
Series:	ReFocus. The American directors series ReFocus, the American directors series.
Subject:	Harron, Mary -- Criticism and interpretation. Harron, Mary. Motion picture producers and directors -- Canada. Women motion picture producers and directors -- Canada. Motion picture producers and directors. Women motion picture producers and directors. Canada. Criticism, interpretation, etc.
Format:	Print Book
URL for this record:	http://pi.lib.uchicago.edu/1001/cat/bib/12712416

Hidden Bibliographic Details
Varying Form of Title:	At head of title: ReFocus
Other authors / contributors:	Barrett, Kyle, editor.
ISBN:	9781474494410 1474494412 9781474494441 9781474494434
Notes:	Includes bibliographical references (pages 159-171), filmography (pages 157-158) and index.
Other form:	ebook version : 9781474494441

Table of Contents:

List of Figures
Acknowledgments
Notes on Contributors
Introduction
Part I. Biopics
1. I Shot Andy Warhol: Fame, Notoriety, and Mary Harron's Anti-biopics
2. On the Other Side of the Icon: Making Images and Restaging Celebrity Spectacle in Anna Nicole
Part II. Feature Films and Production Contexts
3. Dream of the '90s: Mary Harron in Indiewood
4. "I Like to Dissect Girls": Mary Harron's American Psycho as Gendered Metafiction
5. "And Then I Met Lucy": Perfection, Same-sex Desire, and Social Control in Mary Harron's The Moth Diaries
6. Charismatic Breadwinner Killer: Gender Power Relations in Charlie Says
Part III. Television and Short Film Production
7. Death to Disposal: Echoes of American Psycho in "The Rainbow of Her Reasons" (Six Feet Under)
8. Sartorial Interventions: When Fashion and Film Collide
Filmography
Bibliography
Index

Similar Items