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| LEADER |
00000cjm a2200000 i 4500 |
| 001 |
12713505 |
| 008 |
211209s2021 ilujznn n zxx d |
| 007 |
sd fsngnnmmned |
| 005 |
20240606201003.4 |
| 035 |
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|a (OCoLC)on1291283690
|
| 040 |
|
|
|a TDF
|b eng
|c TDF
|d OCLCQ
|d OCLCL
|d RBN
|d OCLCO
|
| 028 |
0 |
2 |
|a 080
|b Corbett vs. Dempsey
|
| 028 |
0 |
2 |
|a CvsD 080
|b Corbett vs. Dempsey
|
| 033 |
2 |
0 |
|a 20200925
|a 20200926
|b 4104
|c C4
|
| 035 |
|
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|a (OCoLC)1291283690
|
| 041 |
0 |
|
|g eng
|
| 050 |
|
4 |
|a M1366.V363
|b F54 2021
|
| 100 |
1 |
|
|a Vandermark, Ken,
|e composer,
|e instrumentalist.
|
| 245 |
1 |
4 |
|a The field within a line /
|c Ken Vandermark.
|
| 264 |
|
1 |
|a [Chicago, IL] :
|b Corbett vs. Dempsey,
|c [2021?]
|
| 300 |
|
|
|a 1 audio disc ;
|c 4 3/4 in.
|
| 306 |
|
|
|a 000132
|a 000514
|a 000442
|a 000611
|a 000104
|a 000457
|a 000433
|a 000117
|a 000347
|a 000615
|a 000043
|a 000845
|
| 336 |
|
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|a performed music
|b prm
|2 rdacontent
|
| 337 |
|
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|a audio
|b s
|2 rdamedia
|
| 338 |
|
|
|a audio disc
|b sd
|2 rdacarrier
|
| 344 |
|
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|b optical
|2 rdarm
|
| 344 |
|
|
|c 1.4 m/s
|
| 344 |
|
|
|a digital
|b optical
|2 rda
|
| 347 |
|
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|a audio file
|2 rdaft
|
| 347 |
|
|
|b CD audio
|
| 500 |
|
|
|a Program notes in English on container.
|
| 500 |
|
|
|a Title from disc label.
|
| 511 |
0 |
|
|a Ken Vandermark, reeds.
|
| 518 |
|
|
|o Recorded
|d 2020 September 25-26
|p Chcago, IL.
|
| 505 |
0 |
0 |
|t Feet on Main (for Robert Frank & Gordon Parks)
|g (1:32) --
|t Imagine the paper (for Philip Guston & Dieter Roth)
|g (5:14) --
|t Arcade of persuasive language (Samuel Beckett & Thomas Bernhard)
|g (4:42) --
|t Portable nowhere (for Robert Irwin & Richard Serra)
|g (6:11) --
|t Shared testament (for Joe McPhee & Stu Vandermark)
|g (1:04) --
|t End the giraffe lottery (for Chris Marker & Agnes Varda)
|g (4:57) --
|t Counter space (for Francis Bacon & Kerry James Marshall)
|g (4:33) --
|t Every waiting room (for Chantall Akerman & Pina Bausch)
|g (1:17) --
|t No other suit (for Anthony Braxton & Coleman Hawkins)
|g (3:47) --
|t Another household word (for Robert Bresson & Abbas Kiarostami)
|g (6:15) --
|t Capture chaos (for Tarsila do Amaral & Hélio Oiticica)
|g (0:43) --
|t Looking back at looking forward (for Ola Trzaska & Marek Winiarski)
|g (8:45)
|
| 650 |
|
0 |
|a Jazz
|y 2011-2020.
|
| 650 |
|
6 |
|a Jazz
|y 2011-2020.
|
| 655 |
|
7 |
|a jazz.
|2 aat
|
| 655 |
|
7 |
|a Jazz.
|2 lcgft
|
| 655 |
|
7 |
|a Improvisations (Music)
|2 lcgft
|
| 655 |
|
7 |
|a Jazz.
|2 rvmgf
|
| 655 |
|
7 |
|a Improvisations (Musique)
|2 rvmgf
|
| 758 |
|
|
|i has work:
|a The Field within a Line (Music)
|1 https://id.oclc.org/worldcat/entity/E39PCYbKVWDkRdtpMgFtpJJXr3
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 929 |
|
|
|a cat
|
| 999 |
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f |
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|s 66368398-a15a-4f50-b0d9-45c1b14692da
|
| 928 |
|
|
|t Shelving control number
|a CvsD 12713505
|p AudCD
|l ASR
|c ASR-RecASR
|i 12849656
|
| 927 |
|
|
|t Shelving control number
|a CvsD 12713505
|p AudCD
|w 2
|l ASR
|c ASR-RecASR
|e MENN
|b 115561240
|i 10374267
|
