Sam Gilliam : existed existing.

Sam Gilliam : existed existing.

Saved in:

Bibliographic Details
Author / Creator:	Gilliam, Sam, 1933- artist, interviewee.
Imprint:	New York, NY : Pace Gallery, [2020] ©2020
Description:	143 pages : illustrations (chiefly color), portrait ; 26 cm
Language:	English
Subject:	Gilliam, Sam, -- 1933- -- Exhibitions. Gilliam, Sam, -- 1933- -- Interviews. Gilliam, Sam, -- 1933- African American artists -- Exhibitions. Painting, American -- Exhibitions. Color-field painting -- Exhibitions. Color-field painting. Exhibition catalogs. Painting. United States. Interview exhibition catalogs. interviews. Exhibition catalogs. Interviews.
Format:	Print Book
URL for this record:	http://pi.lib.uchicago.edu/1001/cat/bib/12717099

Hidden Bibliographic Details
Varying Form of Title:	Existed existing
Other authors / contributors:	Obrist, Hans Ulrich, interviewer. Moten, Fred, contributor. Martin, Courtney J., contributor. Pace Gallery, host institution.
ISBN:	9781948701389 1948701383
Notes:	Catalog for the Sam Gilliam exhibition "Existed Existing" held at the Pace Gallery in New York November 6 - December 19, 2020. Includes bibliographical references.
Summary:	"Published for Sam Gilliam's recent exhibition, Existed Existing, this book features new paintings, washi papers, and sculptural works by the artist. Courtney J. Martin discusses Gilliam's approach to exhibition-making and the evolution of his practice in her essay 'Imagine the Show on the First Day.' In 'The Circle With a Whole in the Middle,' poet, cultural theorist, and MacArthur Fellow Fred Moten illuminates Gilliam's work in dialogue with the aesthetic considerations of abstraction and Blackness. An interview by Hans Ulrich Obrist explores themes including family, music, peers, and poetry." -- Publisher's website

Table of Contents:

Introduction / Arne Glimcher
Paintings
Conversation with Sam Gilliam / Hans Ulrich Obrist
Washi papers
Circle with a whole in the middle / Fred Moten
Sculptural works I
Imagine the show on the first day / Courtney J. Martin
Sculptural works II.