3 Salón Internacional de Arte Bolivia /

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Bibliographic Details
Meeting name:Salón Internacional de Arte (3rd : 2003 : La Paz, Bolivia), author.
Imprint:[La Paz, Bolivia] : Salón Internacional de Arte SIART, [2003?]
Description:190 pages : illustrations (chiefly color), portraits ; 25 cm
Language:Spanish
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12720164
Hidden Bibliographic Details
Varying Form of Title:Tercer Salón Internacional de Arte
Salón Internacional de Arte Bolivia
Other authors / contributors:Salazar De La Torre, Laura, editor.
ISBN:9786077714569
6077714569
Notes:Catalog of an exhibition held in La Paz, October 15-November 15, 2003.
Includes bibliographical references (page 183).
Summary:In the third version of the SIART International Art Exhibition, important proposals with different forms and means of expression of the plastic and visual arts were included, both in the competition exhibitions, carefully designed from the multiplicity of conceptual approaches to the artistic phenomenon, and in the different international exhibitions that made up the International Exhibition of Honor that is the result of a selection of proposals of the first international level. A number of training activities were included.
Description
Summary:Max Leiva is an outstanding Guatemalan and universal sculptor, he was born in Guatemala City in 1966. His career as a sculptor gathers three decades developing small and large format works, as well as illustrious urban sculptures of personages. His references had taken second place in academic discourse. The expressiveness of primitive art that Picasso noticed at the beginning of the 20th century caused a noticeable change that drove the development of countless movements known as the European Vanguard. In the case of Latin America, the archaic expression managed to remain latent during the viceregal period, like a seed that germinated motivated by the freedom promoted by the European avant-gardes, turning into a powerful art, full of elements and with its own visuality. Impressionism, the interwar trends and later the proposals suggested from New York, have had an impact on Latin American Art of the 20th century. Local artists took the structural and enriched it with their own voices. The only movement considered autonomous and universal was Muralism, which Mexico exported to the entire world as an art.
Item Description:Catalog of an exhibition held in La Paz, October 15-November 15, 2003.
Physical Description:190 pages : illustrations (chiefly color), portraits ; 25 cm
Bibliography:Includes bibliographical references (page 183).
ISBN:9786077714569
6077714569