Living matter : the preservation of biological materials in contemporary art /

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Bibliographic Details
Meeting name:Living Matter (Conference) (2019 : Mexico City, Mexico), author.
Edition:First edition.
Imprint:Los Angeles : Getty Conservation Institute, 2022.
©2022
Description:xii, 248 pages : illustrations (chiefly color) ; 28 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12742111
Hidden Bibliographic Details
Other authors / contributors:Rivenc, Rachel, editor.
Roth, Kendra, editor.
Getty Conservation Institute, issuing body, organizer.
Universidad Nacional Autónoma de México. Museo Universitario Arte Contemporáneo, organizer.
Escuela Nacional de Conservación, Restauración y Museografía "Prof. Manuel del Castillo Negrete" (Mexico), organizer.
ISBN:9781606066874
1606066870
9781606066881
9781606066898
9781606067673
Notes:Proceedings of the symposium "Living Matter: The Preservation of Biological Materials Used in Contemporary Art / La Materia Viva: Conservación de materiales orgánicos en el arte contemporáneo" which took place June 3-5, 2019, in Mexico City and was co-organized by the Getty Conservation Institute (GCI), the Museo Universitario Arte Contemporáneo (MUAC) of the Universidad Nacional Autónoma de México (UNAM), and the Escuela Nacional de Conservación, Restauración y Museografía "Manuel del Castillo Negrete" (ENCRyM) of the Instituto Nacional de Antropología e Historia (INAH).
Includes bibliographical references.
Summary:"This is the first book to provide a comprehensive overview of the conservation of biological materials used in contemporary art"--
Other form:Online version: Living Matter (Conference) (2019 : Mexico City, Mexico). Living matter. Los Angeles : Getty Conservation Institute, 2022 9781606066881
Table of Contents:
  • Foreword
  • Preface
  • Keynote: In the Unpredictable Garden of Forking Paths
  • Part 1. Living Matter in Contemporary Art: Snapshots
  • 1. Biological Material Indeterminacy Rebukes the Social and the Artistic: Cases from the Documentary Archives of the Arkheia Documentation Center, Mexico
  • 2. Can We Use the Concept of Programmed Obsolescence to Identify and Resolve Conservation Issues on Eat Art Installations?
  • 3. The Artist's Body in the Age of Genomic Reproduction
  • 4. The Eternal Metabolic Network: Fluxus, Food, and Ecofeminism
  • 5. Plump and Pliant: The Preservation of Bacterial Cellulose in Textile Bioart
  • 6. Some Survive, Few Are Conserved, Even Fewer Can Travel: Paradoxes and Obstacles in Maintaining and Staging Biomedia Art
  • Part 2. Working with the Artist: Between Conservation and Production
  • 7. Preserving Mortality through a Sacrifice for Your Country: A Performance by Carlos Martiel and a Conservator's Challenge
  • 8. Cross-Disciplinary Collaboration and Innovation in the Exhibition of Living Matter at the National Gallery of Zimbabwe: The Case of the Planetary Community Chicken Exhibition
  • 9. The Life-Death Movement of Fruits, Tubers, and Vegetables in Nydia Negromonte's POSTA
  • 10. Conservation/Restoration of Biological Material in Contemporary Art: A Perspective from Academia in Collaboration with Artists
  • Part 3. Living Matter: Challenging Institutions
  • 11. Killing with Kindness? The Challenges of Conservation and Access for Living Matter
  • 12. Flora and Fauna as Art: A Contemporary Art Conservation Approach to Living Systems
  • 13. Conserving Active Matter in Contemporary Design
  • 14. Research, Conservation, and Exhibition of a Contemporary Art Installation Containing Living Organisms as Part of the Creative Process
  • 15. When Installation Art Depends on Live Surroundings to Survive
  • 16. Building Communities and Conserving Living Matter in the Collection of the Museo Universitario Arte Contemporáneo, MUAC-UNAM, Mexico City
  • Part 4. Different Approaches and Responses
  • 17. Stabbing Our Own House: A Biography of Joseph Beuys's Wirtschaftswerte
  • 18. Pieces of the People We Love: Challenges in Caring for Works by Adrián Villar Rojas in the Moderna Museet Collection
  • 19. Nature and Its Energy: Considerations on the Processes of Conserving Organic Matter
  • 20. Conservation as an Enhancing Factor in the Interpretation of Living Materials Artworks
  • 21. A Crumb(ling) Display: Conserving Bread in the Collection of the Museum of Contemporary Art, Zagreb
  • Part 5. Artists' Reflections
  • 22. Living Matter: Research as Creative Process
  • 23. Murmelte Instrumente: The Body, Like a Hand to an Instrument
  • 24. Dissolving Matter: Notes on Simbolo descarnado
  • Bibliography
  • Contributors
  • Symposium Participants