Monday's not coming : a novel /

Saved in:
Bibliographic Details
Author / Creator:Jackson, Tiffany D., author.
Edition:First paperback edition.
Imprint:New York, NY : Katherine Tegen Books, an imprint of HarperCollinsPublishers, 2019.
©2018
Description:435, 14 pages ; 21 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12749136
Hidden Bibliographic Details
Varying Form of Title:Monday is not coming
ISBN:0062422685
9780062422682
Notes:Includes an excerpt from the author's next novel, Let Me Hear a Rhyme.
Summary:When her friend Monday Charles goes missing and Monday's mother refuses to give her a straight answer, Claudia digs into her disappearance.
Review by Booklist Review

In her sophomore effort (Allegedly, 2017), Jackson offers up a suspenseful new mystery. Claudia and Monday have been friends since childhood. When Claudia returns from summer vacation, Monday isn't at school, and she's not returning calls. No one seems to know where she is. Claudia knows something is wrong, but what reason would anyone have to lie about Monday's whereabouts? Jackson hits all the right notes in this compelling mystery. Claudia has a strong voice that will resonate; she struggles with bullying, dyslexia, loss, and the pains of growing up. The plot weaves through time, slowly piecing together clues, until the painful truth is revealed. Jackson doesn't hold anything back when it comes to the pain of abuse and the ramifications of turning a blind eye. This is a powerful and emotional novel that is gripping and heartbreaking and hits upon serious topics. It's a frank, devastating read filled with real and flawed characters, and it's a story that needs to be read.--Konkel, Elizabeth Copyright 2018 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Jackson's sophomore novel, following 2017's acclaimed Allegedly, features another ripped-from-the-headlines premise that will keep readers guessing through the final pages. After a summer in Georgia with her grandmother, Claudia returns to Washington, D.C., ready to take on eighth grade with her best friend, Monday, even though Monday didn't respond to any of Claudia's letters over the past two months. Claudia soon finds, though, that Monday is gone. Stories about where she is don't add up and no one seems concerned, but Claudia can't shake the feeling that Monday might be in real trouble. Time shifts-in chapters such as "Before the Before," "The Before," and "The After"-create a measured and intense buildup as Claudia realizes that Monday was keeping painful and potentially dangerous secrets. Claudia's mother's frequent reminder to check in at home-"Breadcrumbs, Claudia. Always good to leave breadcrumbs"-prompts both Claudia and the reader to remain vigilant. Jackson's characters and their heart-wrenching story linger long after the final page, urging readers to advocate for those who are disenfranchised and forgotten by society and the system. Ages 13-up. Agent: Natalie Lakosil, Bradford Literary Agency. (June) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review

Gr 9 Up-Galvanized by real-life accounts of black girls whose disappearances went unnoticed, the author depicts a young African American teen unwilling to let her best friend fall through the cracks. Claudia frets when Monday misses the first day of eighth grade, and her worries increase when weeks, and then months, go by with no sign of the girl. Both outsiders, the two have always tried to protect each other: academically gifted Monday keeps teachers from realizing that Claudia has learning disabilities, and Claudia's stable family gives Monday a respite from her often erratic home life. Monday's mother and older sister offer conflicting stories about where she is, and even sympathetic adults are little help-Claudia alone becomes Monday's champion. Just as Jackson's suspenseful debut, Allegedly, explored the corrupt justice system, this thought-provoking thriller examines issues such as abuse, gentrification, and the marginalization of people of color with nuance and sensitivity. The narrative deftly moves back and forth between past and present, building to a devastating conclusion. The Washington, DC, setting is superbly rendered, and the author presents a rich portrayal of the girls' bond, displaying an intuitive understanding of adolescent friendship. VERDICT A spellbinding, profoundly moving choice for YA collections.-Mahnaz Dar, School Library Journal © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review

Its the end of the summer before eighth grade, and Claudia cant wait to see her best friend, Monday. When she doesnt hear from Monday in the days leading up to school, Claudia is confused. Her confusion turns to worry when Monday doesnt show up for the first day--and then to terror when she doesnt show up in the days after that. The horrible realization that Monday is missing sends Claudia on a heart-wrenching quest to find her friend. The search for Monday leads readers through a winding tale of sisterhood, identity, and loss, in which secrets between friends are kept and revealed. The nonlinear narrative can be challenging to follow at times, but it holds readers attention as we, too, become invested in learning what happened to Monday--and subsequently what happens to Claudia. In addition to a gripping plot line, underlying social issues bubble beneath the surface, such as neighborhood gentrification (the story is set in and around the predominantly African American Southeast quadrant of Washington, DC), race, poverty, community, the healing of connection, and the destruction in disconnection. Ultimately, the very real question of how a young girl can go missing for so long without alarm will haunt readers long after the last page is turned. monique harris (c) Copyright 2018. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Washington, D.C., eighth-graders Claudia Coleman and her best (and only) friend, Monday Charles, were inseparable, often mistaken for twinsuntil the day Monday disappeared. Brown-skinned with kinky hair, the girls had each other's backs, and Claudia relied on Monday in ways no one else knew. But when Monday doesn't show up for the first day of school with no warning or explanation, Claudia becomes worried. After a week goes by, Claudia begins a search for her Monday without much help from the adults around her. Claudia refuses to give up on Monday like she thinks everyone else has: How can a young girl just disappear and have no one look for her? The plot unfolds in nonchronological order, a technique that risks having the story feel clumsy at times. Despite a resolution that reads as somewhat anticlimactic and a narrator who is sometimes as nave as she is skeptical, the draw of this novel, which was inspired by actual events, lies in its interwoven themes of the effects of gentrification, especially on black residents whose connections, culture, and community become afterthoughts in the face of capitalism; mental illness in the black community; and biases around the value of missing children, black girls in particular. Secrets and how silence often causes more harm than we can imagine are also addressed.A tragic and heartbreaking tale of love, loss, grief, growth, and perseverance. (Fiction. 13-adult) Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
Review by Booklist Review


Review by Publisher's Weekly Review


Review by School Library Journal Review


Review by Horn Book Review


Review by Kirkus Book Review