Imran Mir : A world that is not entirely reflective but contemplative /

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Bibliographic Details
Author / Creator:Mir, Imran, 1950-2014, author.
Imprint:Berlin : Archive Books 2022.
Description:112 pages : illustrations, portraits, ; 23 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12765635
Hidden Bibliographic Details
Varying Form of Title:World that is not entirely reflective but contemplative
Other authors / contributors:Alhaag, Amal, author.
Amsterdam (Netherlands). Stedelijk Museum, host institution.
ISBN:9783949973086
3949973087
Summary:Imran Mir's (1950-2014) oeuvre can be interpreted as a constant refusal to provide comprehensive elaboration beyond what one experiences. The act of contemplation is a guiding principle to interpreting Imran Mir's work, an approach that reverberates into a practice that grew out of conversations with a community of artists, activists, poets, relatives, and other thinkers in Karachi. Non-figurative, non-representational, geometrical and very bold, Imran Mir's works can be read as theorems and positions on multiple modernisms and abstractions. Without being a critique or a response, he played with the rules, bypassing and expanding them to other realms to explore ways of being, ways of knowing time and space outside of the confinements of the West. Exhibition: Stedelijk Museum, Amsterdam, The Netherlands (01.07.-16.10.2022).

MARC

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050 4 |a N7310.73.M579  |b A4 2022 
100 1 |a Mir, Imran,  |d 1950-2014,  |e author. 
245 0 0 |a Imran Mir :  |b A world that is not entirely reflective but contemplative /  |c Imran Mir ; edited by Amal Alhaag. 
246 3 0 |a World that is not entirely reflective but contemplative 
260 |a Berlin :  |b Archive Books  |c 2022. 
300 |a 112 pages :  |b illustrations, portraits, ;  |c 23 cm 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
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520 8 |a Imran Mir's (1950-2014) oeuvre can be interpreted as a constant refusal to provide comprehensive elaboration beyond what one experiences. The act of contemplation is a guiding principle to interpreting Imran Mir's work, an approach that reverberates into a practice that grew out of conversations with a community of artists, activists, poets, relatives, and other thinkers in Karachi. Non-figurative, non-representational, geometrical and very bold, Imran Mir's works can be read as theorems and positions on multiple modernisms and abstractions. Without being a critique or a response, he played with the rules, bypassing and expanding them to other realms to explore ways of being, ways of knowing time and space outside of the confinements of the West. Exhibition: Stedelijk Museum, Amsterdam, The Netherlands (01.07.-16.10.2022). 
600 1 0 |a Mir, Imran,  |d 1950-2014  |v Exhibitions. 
650 0 |a Art, Pakistani  |v Exhibitions. 
700 1 |a Alhaag, Amal,  |e author. 
710 1 |a Amsterdam (Netherlands).  |b Stedelijk Museum,  |e host institution. 
929 |a cat 
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928 |t Library of Congress classification  |a N7310.73.M579 A4 2022  |l JRL  |c JRL-Gen  |i 12903061 
927 |t Library of Congress classification  |a N7310.73.M579 A4 2022  |l JRL  |c JRL-Gen  |e LEEH  |b 117773924  |i 10432414