Gothic mash-ups : hybridity, appropriation, and intertextuality in gothic storytelling /
Saved in:
| Imprint: | Lanham, Maryland : Lexington Books, [2022] |
|---|---|
| Description: | 1 online resource () : illustrations (some color). |
| Language: | English |
| Series: | Lexington Books horror studies Lexington Books horror studies. |
| Subject: | |
| Format: | E-Resource Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/12773820 |
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| 005 | 20221209185252.2 | ||
| 010 | |a 2021056385 | ||
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| 020 | |a 1793636583 |q electronic book | ||
| 020 | |z 9781793636577 |q hardcover | ||
| 035 | |a (OCoLC)1286070322 |z (OCoLC)1285509235 |z (OCoLC)1295270578 | ||
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| 050 | 4 | |a PN3435 |b .G66656 2022 | |
| 082 | 0 | 0 | |a 809.3/8729 |2 23/eng/20211116 |
| 245 | 0 | 0 | |a Gothic mash-ups : |b hybridity, appropriation, and intertextuality in gothic storytelling / |c edited by Natalie Neill. |
| 264 | 1 | |a Lanham, Maryland : |b Lexington Books, |c [2022] | |
| 300 | |a 1 online resource () : |b illustrations (some color). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Lexington Books horror studies | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- Gothic Mash-Ups, Now and Then -- Approaches to Mash-Up -- References -- Part I: Film and Television Mash-Ups -- Chapter 1: Do the Monster Mash: Universal's "Classic Monsters" and the Industrialization of the Gothic Transmedia Franchise -- From Adaptation to Transmedia: Variations on Sameness (1931-1956) -- One (More) for the Money: The Early Conglomerate Era (1962-1990) -- The "Big Four": Industrial Horror (1990-2017) -- Revisiting the Dark Universe -- References | |
| 505 | 8 | |a Chapter 2: Adapting Monstrous Creation: Lisztomania and Gothic as Gothic Mash-Ups -- Lisztomania and Vampiric Transference -- Litsztomania and Frankenstein -- Gothic, Frankenstein, and Gothic Mash-Up -- Lord Byron, Vampire -- Conclusion -- References -- Chapter 3: Gothic Exploitation: Transnational Appropriation, Hybridity, and Originality in Continental Horror Cinema, 1957-1983 -- Monstrous Imitation and Innovation -- Generic Hybridization and Eroticism -- Conclusion: A Familiar Difference -- Notes -- References | |
| 505 | 8 | |a Chapter 4: Queer(ly) Mash(ed) Up: Portraits of Neo-Victorian Others in Penny Dreadful -- Detached (in)Difference: Dorian Gray -- A Woman of Queer Vision(s): Vanessa, the Cut-Wife, and Dr. Seward -- References -- Chapter 5: Horror, Humor, and Satire in Get Out -- Mashing Up Horror, Humor, and Race -- Jordan Peele, Race, and Horror Mash-Ups -- Get Out: Intertextual Mash-Up -- Conclusion -- Note -- References -- Part II: Literary Mash-Ups -- Chapter 6: Anne Boleyn, Tudor Vampire -- The Gothic Mash-Up -- Gothic Annes -- Anne Boleyn: Undead Avenger -- Anne Boleyn: Evil Bitch Monster of Death | |
| 505 | 8 | |a Elizabeth Tudor: Vampire Slayer -- References -- Chapter 7: The Holmes-Meets-Dracula Mash-Up -- A Question of Terms -- The Mash-Ups -- Critical Possibilities -- Conclusion -- References -- Chapter 8: Orgiastic Authorship in The Picture of Dorian Gray and Teleny -- Composite Composition in The Picture of Dorian Gray -- The Different Hands of Teleny -- References -- Chapter 9: Rewriting Indigeneity in the Canadian Gothic: Monsters, Mash-Up, and Monkey Beach -- Monkey Beach as Indigenous Gothic -- Do the Monster Mash(up): Haisla B'gwus and Settler Sasquatch -- A Reclamation of the Monstrous | |
| 505 | 8 | |a Rewriting the Gothic in Canada: Conclusions -- References -- Part III: More Mash-Ups -- Chapter 10: "The crawling thing within me": Marvel Comics and the Return of the Gothic Body -- Affective Forms: Reading the Graphic, Reading the Gothic -- I, Werewolf: The Multiplicity and Abjection of the Gothic Superhero -- Patriarchal Ruins: Identity, Masculinity, and Hollywood Heroism -- Identity Recovered and Effaced: The Death of the Gothic Superhero -- References -- Chapter 11: Misty, Mash-Ups, and the Marginalized in British Girls' Comics -- Critical Framework -- British Comics and Adaptation | |
| 588 | |a Description based on online resource; title from digital title page (viewed on March 29, 2022). | ||
| 650 | 0 | |a Gothic fiction (Literary genre) |x History and criticism. | |
| 650 | 0 | |a Horror films |x History and criticism. | |
| 650 | 0 | |a Horror in mass media. | |
| 650 | 0 | |a Intertextuality. | |
| 650 | 0 | |a Appropriation (Arts) | |
| 650 | 6 | |a Films d'horreur |x Histoire et critique. |0 (CaQQLa)000279158 | |
| 650 | 6 | |a Horreur dans les médias. |0 (CaQQLa)201-0032388 | |
| 650 | 6 | |a Intertextualité. |0 (CaQQLa)201-0032414 | |
| 650 | 7 | |a Appropriation (Arts) |2 fast |0 (OCoLC)fst01909224 | |
| 650 | 7 | |a Gothic fiction (Literary genre) |2 fast |0 (OCoLC)fst01745235 | |
| 650 | 7 | |a Horror films. |2 fast |0 (OCoLC)fst00960370 | |
| 650 | 7 | |a Horror in mass media. |2 fast |0 (OCoLC)fst00960378 | |
| 650 | 7 | |a Intertextuality. |2 fast |0 (OCoLC)fst00977562 | |
| 700 | 1 | |a Neill, Natalie, |d 1974- |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Gothic mash-ups |d Lanham : Lexington Books, [2022] |z 9781793636577 |w (DLC) 2021056384 |
| 830 | 0 | |a Lexington Books horror studies. | |
| 856 | 4 | 0 | |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3163687 |y EBSCOhost |x 1 |z Licensed for 1 user at a time |
| 901 | |a YBPebook | ||
| 929 | |a eresource | ||
| 999 | f | f | |s 1c499cd5-c1f8-4be0-baf7-264f66666d07 |i dc29870e-53a3-424a-b2a6-acf4f167b19e |
| 928 | |t Library of Congress classification |a PN3435.G66656 2022 |l Online |c UC-FullText |n Licensed for 1 user at a time |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3163687 |z EBSCOhost |g ebooks |e TRIM |i 12911376 | ||
