Gothic mash-ups : hybridity, appropriation, and intertextuality in gothic storytelling /
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| Imprint: | Lanham, Maryland : Lexington Books, [2022] |
|---|---|
| Description: | 1 online resource () : illustrations (some color). |
| Language: | English |
| Series: | Lexington Books horror studies Lexington Books horror studies. |
| Subject: | |
| Format: | E-Resource Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/12773820 |
Table of Contents:
- Cover
- Half Title
- Series Page
- Title Page
- Copyright Page
- Dedication
- Contents
- Acknowledgments
- Introduction
- Gothic Mash-Ups, Now and Then
- Approaches to Mash-Up
- References
- Part I: Film and Television Mash-Ups
- Chapter 1: Do the Monster Mash: Universal's "Classic Monsters" and the Industrialization of the Gothic Transmedia Franchise
- From Adaptation to Transmedia: Variations on Sameness (1931-1956)
- One (More) for the Money: The Early Conglomerate Era (1962-1990)
- The "Big Four": Industrial Horror (1990-2017)
- Revisiting the Dark Universe
- References
- Chapter 2: Adapting Monstrous Creation: Lisztomania and Gothic as Gothic Mash-Ups
- Lisztomania and Vampiric Transference
- Litsztomania and Frankenstein
- Gothic, Frankenstein, and Gothic Mash-Up
- Lord Byron, Vampire
- Conclusion
- References
- Chapter 3: Gothic Exploitation: Transnational Appropriation, Hybridity, and Originality in Continental Horror Cinema, 1957-1983
- Monstrous Imitation and Innovation
- Generic Hybridization and Eroticism
- Conclusion: A Familiar Difference
- Notes
- References
- Chapter 4: Queer(ly) Mash(ed) Up: Portraits of Neo-Victorian Others in Penny Dreadful
- Detached (in)Difference: Dorian Gray
- A Woman of Queer Vision(s): Vanessa, the Cut-Wife, and Dr. Seward
- References
- Chapter 5: Horror, Humor, and Satire in Get Out
- Mashing Up Horror, Humor, and Race
- Jordan Peele, Race, and Horror Mash-Ups
- Get Out: Intertextual Mash-Up
- Conclusion
- Note
- References
- Part II: Literary Mash-Ups
- Chapter 6: Anne Boleyn, Tudor Vampire
- The Gothic Mash-Up
- Gothic Annes
- Anne Boleyn: Undead Avenger
- Anne Boleyn: Evil Bitch Monster of Death
- Elizabeth Tudor: Vampire Slayer
- References
- Chapter 7: The Holmes-Meets-Dracula Mash-Up
- A Question of Terms
- The Mash-Ups
- Critical Possibilities
- Conclusion
- References
- Chapter 8: Orgiastic Authorship in The Picture of Dorian Gray and Teleny
- Composite Composition in The Picture of Dorian Gray
- The Different Hands of Teleny
- References
- Chapter 9: Rewriting Indigeneity in the Canadian Gothic: Monsters, Mash-Up, and Monkey Beach
- Monkey Beach as Indigenous Gothic
- Do the Monster Mash(up): Haisla B'gwus and Settler Sasquatch
- A Reclamation of the Monstrous
- Rewriting the Gothic in Canada: Conclusions
- References
- Part III: More Mash-Ups
- Chapter 10: "The crawling thing within me": Marvel Comics and the Return of the Gothic Body
- Affective Forms: Reading the Graphic, Reading the Gothic
- I, Werewolf: The Multiplicity and Abjection of the Gothic Superhero
- Patriarchal Ruins: Identity, Masculinity, and Hollywood Heroism
- Identity Recovered and Effaced: The Death of the Gothic Superhero
- References
- Chapter 11: Misty, Mash-Ups, and the Marginalized in British Girls' Comics
- Critical Framework
- British Comics and Adaptation
