Crítica de la obra plástica precolombina : reflexiones sobre morfología, semiótica y estética /

Crítica de la obra plástica precolombina : reflexiones sobre morfología, semiótica y estética /

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Bibliographic Details
Author / Creator:	Sondereguer, César, author.
Imprint:	Buenos Aires : Corregidor, [2021] ©2021
Description:	183 pages : illustrations, maps, plans ; 27 cm.
Language:	Spanish
Series:	Amerindia arte ; 10 Colección Amerindia arte.
Subject:	Indians of South America -- Antiquities. Indians of Central America -- Antiquities. Indians of North America -- Antiquities. Indian art -- America. Indian art. Indians of Central America -- Antiquities. Indians of North America -- Antiquities. Indians of South America -- Antiquities. America. Catalogs. Catalogs.
Format:	Print Book
URL for this record:	http://pi.lib.uchicago.edu/1001/cat/bib/12783596

Hidden Bibliographic Details
ISBN:	9789500532792 9500532794
Notes:	Includes bibliographical references.
Summary:	With more than a century and a half of pre-Columbian research, it seems that a sensible interdisciplinarity between historical-anthropological and philosophical-aesthetic research has never been proposed. The scarce bibliography on the plastic work only points out historical objects with redundant and trivial descriptions without the depth that a metaphysical entity requires. Opinions do not perceive designs, plastic genres and their morphological styles as such. It is necessary to differentiate our European cultural formation with respect to the study of the various Amerindian aesthetics because it is essential to educate about the particular configuration of the works, their contents and expressions. The need for an iconographic classification is axiomatic, it does not require proof. The need for an iconological interpretation is obvious and of vital importance: it must try to "dishide" immanence

Description
Summary:	With more than a century and a half of pre-Columbian research, it seems that a sensible interdisciplinarity between historical-anthropological and philosophical-aesthetic research has never been proposed. The scarce bibliography on the plastic work only points out historical objects with redundant and trivial descriptions without the depth that a metaphysical entity requires. Opinions do not perceive designs, plastic genres and their morphological styles as such. It is necessary to differentiate our European cultural formation with respect to the study of the various Amerindian aesthetics because it is essential to educate about the particular configuration of the works, their contents and expressions. The need for an iconographic classification is axiomatic, it does not require proof. The need for an iconological interpretation is obvious and of vital importance: it must try to "dishide" immanence
Physical Description:	183 pages : illustrations, maps, plans ; 27 cm.
Bibliography:	Includes bibliographical references.
ISBN:	9789500532792 9500532794