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|a 1149756074
|a 1150251133
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|z 1783748885
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|z 9781783748884
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|a (OCoLC)1150165536
|z (OCoLC)1149756074
|z (OCoLC)1150251133
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| 035 |
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9 |
|a (OCLCCM-CC)1150165536
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|a DLC
|b eng
|e rda
|e pn
|c DLC
|d OCLCO
|d N$T
|d YDX
|d OCLCF
|d EMU
|d OCLCO
|d OCLCQ
|d DLC
|d OCLCO
|d OCLCQ
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|a eng
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|a pcc
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|a MAIN
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| 050 |
0 |
4 |
|a N7570
|b .G3513 2020
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| 100 |
1 |
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|a Gallucci, Giovanni Paolo,
|d 1538-1621?
|e author.
|0 http://id.loc.gov/authorities/names/n81102880
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| 245 |
1 |
0 |
|a Gallucci's commentary on Dürer's Four books on human proportion :
|b renaissance proportion theory /
|c translated with an introduction by James Hutson.
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| 264 |
|
1 |
|a [Cambridge, UK] :
|b Open Book Publishers,
|c [2020]
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| 300 |
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|a 1 online resource (xiii, 208 pages) :
|b illustrations
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| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
|
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|a online resource
|b cr
|2 rdacarrier
|
| 500 |
|
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|a 43. On the Diversity of Necks Appropriate to Different Figures.
|
| 504 |
|
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|a Includes bibliographical references and index.
|
| 588 |
0 |
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|a Online resource; title from digital title page (viewed on May 06, 2020).
|
| 505 |
0 |
|
|a Intro -- Contents -- Acknowledgments -- On the Translation -- Introduction -- 1. Proportion Theory: Disciplinary Intersections -- 2. Gallucci: Translator, Academician, Pedagogue -- 3. Ut pictura poesis: Sister Arts -- 4. Physiognomics: The Science of Passion -- 5. From Microcosm to Macrocosm -- 6. Proportion Studies: Reception and Legacy -- Contents -- Dedication -- Life of Albrecht Dürer -- Preface to Readers -- Book Five -- 1. On the Utility of this Doctrine -- 2. On the Differences of Humans with Respect to Countries, Sex, and Age -- 3. On the Beauty of Human Bodies, Especially Women
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| 505 |
8 |
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|a 4. The Figure of a Strong Man -- 5. How the Figure of a Timid Man Should Be Painted -- 6. How One Should Paint a Furious and Angry Man -- 7. The Figure of a Man, Who Is by Nature Cold and Wet, therefore, Meek and Humble, Feeble, Slow, Quiet, and Effeminate -- 8. How an Ingenious Man Should Be Painted -- 9. The Figure of an Uncouth Man Compared to One with Great Intelligence -- 10. The Figure and Painting of an Effeminate Man, Soft by Nature and also through Incident -- 11. How a Humble Man Should Be Painted, and One Who Is Shameful, either by Nature or Chance, and a Woman Again
|
| 505 |
8 |
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|a 12. The Figure of an Insolent and Presumptuous Man -- 13. The Figure of a Cheerful Man -- 14. The Figure of a Melancholic and Grieved Man -- 15. The Figure of a Cruel and Inhumane Man -- 16. The Figure of a Flatterer -- 17. The Figure of a Desperate Woman -- 18. The Figure of a Man Full of Astonishment -- 19. The Figure of Beastly or Savage Men -- 20. The Figure of a Fraud -- 21. The Figure of a Deceitful Man, and of a Mean, Miserable, and Cowardly Man -- 22. The Figure of a Wicked Man, Who, in Speaking, Says Impertinent Things -- 23. The Figure of an Insane Man Who Is, at the Same Time, Wicked
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| 505 |
8 |
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|a 24. The Figure of Big Eater, and of One of Great Memory -- 25. The Figure of a Loquacious Man -- 26. The Figure of a Drowsy Man -- 27. The Figure of a Libidinous Man -- 28. The Figure of an Envious Man -- 29. The Figure of an Ugly Man and Woman -- 30. On the Different Feet of Men, and Those Which Are Suitable -- 31. On the Diversity of Heels or Ankles Compared to the Figure that [the Painter] Wishes to Represent -- 32. On the Diversity of Legs with Respect to the Different Figures They Want to Make -- 33. On the Diversity of Knees Appropriate to Different Figures
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| 505 |
8 |
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|a 34. Which Thighs and Buttocks are Appropriate for Which Figures -- 35. Which Limbs and Stomachs Belong to Which Figures -- 36. Which Back and Ribs Suit Which Figures -- 37. Different Measures of the Stomach, Chest, and Belly that Suit Different Figures -- 38. On Some Correspondences that Some Members Have between Them -- 39. How the Chest and Shoulders Should Be Done in Several Different Figures -- 40. On the Shoulders and Chest Most Appropriate to Different Figures -- 41. On Arms and Hands Appropriate to Different Figures -- 42. Which Fingernails Are Appropriate to Different Figures
|
| 600 |
1 |
0 |
|a Dürer, Albrecht,
|d 1471-1528.
|t Les quatre liures d'Albert Durer.
|
| 650 |
|
0 |
|a Human figure in art.
|0 http://id.loc.gov/authorities/subjects/sh85062873
|
| 650 |
|
0 |
|a Human anatomy.
|0 http://id.loc.gov/authorities/subjects/sh85004839
|
| 650 |
|
0 |
|a Proportion (Art)
|0 http://id.loc.gov/authorities/subjects/sh85107539
|
| 650 |
|
6 |
|a Corps humain dans l'art.
|
| 650 |
|
6 |
|a Anatomie humaine.
|
| 650 |
|
6 |
|a Proportions (Art)
|
| 650 |
|
7 |
|a Human anatomy.
|2 fast
|0 (OCoLC)fst00962785
|
| 650 |
|
7 |
|a Human figure in art.
|2 fast
|0 (OCoLC)fst01896063
|
| 650 |
|
7 |
|a Proportion (Art)
|2 fast
|0 (OCoLC)fst01079240
|
| 655 |
|
4 |
|a Electronic books.
|
| 700 |
1 |
|
|a Hutson, James,
|e translator,
|e author of introduction, etc.
|0 http://id.loc.gov/authorities/names/n2020018755
|
| 776 |
0 |
8 |
|i Print version:
|z 9781783748877
|
| 776 |
0 |
8 |
|i Print version:
|z 9781783748884
|
| 856 |
4 |
0 |
|u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2412803
|y eBooks on EBSCOhost
|
| 929 |
|
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|a oclccm
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| 999 |
f |
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|s a2763bb4-54b3-4c3b-8838-8d719e89a7e8
|i 64aa2672-1d22-4fa3-9ced-620ae2994924
|
| 928 |
|
|
|t Library of Congress classification
|a N7570.G3513 2020
|l Online
|c UC-FullText
|u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2412803
|z eBooks on EBSCOhost
|g ebooks
|i 12995898
|
