Veronica Franco in dialogue /

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Bibliographic Details
Author / Creator:Migiel, Marilyn, 1954- author.
Imprint:Toronto ; Buffalo ; London : University of Toronto Press, [2022]
©2022
Description:x, 186 pages ; 24 cm.
Language:English
Series:Toronto Italian studies
Toronto Italian studies.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12885859
Hidden Bibliographic Details
ISBN:9781487542580
1487542585
9781487542597
9781487542603
Notes:Includes bibliographical references (pages 171-178) and index.
Issued also in electronic format.
Summary:"Since the late twentieth century, the Venetian courtesan Veronica Franco has been viewed as a triumphant proto-feminist icon: a woman who celebrated her sexuality, an outspoken champion of women and their worth, and an important intellectual and cultural presence in sixteenth-century Venice.In Veronica Franco in Dialogue, Marilyn Migiel provides a nuanced account of Franco's rhetorical strategies through a close analysis of her literary work. Focusing on the first fourteen poems in the Terze Rime, a collection of Franco's poems published in 1575, Migiel looks specifically at back-and-forth exchanges between Franco and an unknown male author. Migiel argues that in order to better understand what Franco is doing in the poetic collection, it is essential to understand how she constructs her identity as author, lover, and sex worker in relation to this unknown male author. Veronica Franco in Dialogue accounts for the moments of ambivalence, uncertainty, and indirectness in Franco's poetry, as well as the polemicism and assertions of triumph. In doing so, it asks readers to consider their ideological investments in the stories we tell about early modern female authors and their cultural production."--
Other form:Online version: Migiel, Marilyn, 1954- Veronica Franco in dialogue. Toronto ; Buffalo ; London : University of Toronto Press, 2022 1487542593 9781487542597
Review by Choice Review

Migiel (Cornell Univ.) provides a close reading and critical analysis of 14 poems from 16th-century Venetian courtesan Veronica Franco's 25-poem collection Terze Rime, published under Franco's name in 1575. Migiel argues that Franco has too often been seen solely as a feminist icon, praised for her passionate defenses of herself, of courtesans, and of women in general. The poems analyzed here are a dialogic exchange with an unknown male author or authors, perhaps real ones or perhaps imagined by the poet. Whether they were written by Franco herself or by males does not really matter for Migiel's argument; she concentrates on poems Franco wrote in response to these, using them to illustrate the way Franco defines who she is, reacts to the way men treat her, and places herself within the tradition of Latin and Italian poetry. Migiel sees the poems as marked by more "ambivalence, uncertainty, and precariousness" (p. 19) than been been previously thought. Though Migiel's graceful translations of the poetry make the book accessible to those who do not read Italian, the book is meant primarily for specialists. Summing Up: Recommended. Graduate students, researchers, faculty. --Merry E. Wiesner-Hanks, emerita, University of Wisconsin--Milwaukee

Copyright American Library Association, used with permission.
Review by Choice Review