Italian Renaissance sculpture /

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Bibliographic Details
Author / Creator:Olson, Roberta J. M.
Imprint:London : Thames and Hudson, ©1992.
Description:216 pages : illustrations (some color) ; 21 cm.
Language:English
Series:World of art
World of art.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/1289338
Hidden Bibliographic Details
ISBN:0500202532
9780500202531
Notes:Includes bibliographical references (pages 213-214) and index.
Summary:The sculptors of the Italian Renaissance transformed their Classical and regional heritage. From about 1260 to 1600, these masters introduced revolutionary innovations in freestanding figures and portraits, while on reliefs convincing perspective was rendered for the first time, predating its use in painting. The Renaissance notion of the artist as genius is vividly embodied in contemporary sculptors, from Nicola Pisano through Brunelleschi and Donatello to Michelangelo.
And Giambologna. Roberta Olson surveys the extraordinary artistic achievements of the period, which were to affect for ever after the practice of Western art.

MARC

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100 1 |a Olson, Roberta J. M.  |0 http://id.loc.gov/authorities/names/n79151596  |1 http://viaf.org/viaf/267389157 
245 1 0 |a Italian Renaissance sculpture /  |c Roberta J.M. Olson. 
260 |a London :  |b Thames and Hudson,  |c ©1992. 
300 |a 216 pages :  |b illustrations (some color) ;  |c 21 cm. 
336 |a text  |b txt  |2 rdacontent  |0 http://id.loc.gov/vocabulary/contentTypes/txt 
337 |a unmediated  |b n  |2 rdamedia  |0 http://id.loc.gov/vocabulary/mediaTypes/n 
338 |a volume  |b nc  |2 rdacarrier  |0 http://id.loc.gov/vocabulary/carriers/nc 
490 1 |a World of art 
504 |a Includes bibliographical references (pages 213-214) and index. 
505 0 |a Introduction: Setting the Scene -- 1. The First Stage of the Renaissance -- 2. The Mature Renaissance: Beginning the Second Stage -- 3. The Spread of the Renaissance -- 4. Donatello: The Great Innovator -- 5. Sculpture in Mid-Fifteenth Century Florence -- 6. Embellishment: Late Quattrocento Florence -- 7. Renaissance Fever outside Florence, 1450-1500 -- 8. The High Renaissance -- 9. Michelangelo -- 10. The Sixteenth Century and the Legacy of Michelangelo. 
520 |a The sculptors of the Italian Renaissance transformed their Classical and regional heritage. From about 1260 to 1600, these masters introduced revolutionary innovations in freestanding figures and portraits, while on reliefs convincing perspective was rendered for the first time, predating its use in painting. The Renaissance notion of the artist as genius is vividly embodied in contemporary sculptors, from Nicola Pisano through Brunelleschi and Donatello to Michelangelo. 
520 |a And Giambologna. Roberta Olson surveys the extraordinary artistic achievements of the period, which were to affect for ever after the practice of Western art. 
650 0 |a Sculpture, Italian.  |0 http://id.loc.gov/authorities/subjects/sh85119104 
650 0 |a Sculpture, Renaissance  |z Italy. 
650 7 |a Sculpture, Italian.  |2 fast  |0 (OCoLC)fst01109734 
650 7 |a Sculpture, Renaissance.  |2 fast  |0 (OCoLC)fst01109833 
651 7 |a Italy.  |2 fast  |0 (OCoLC)fst01204565 
830 0 |a World of art.  |0 http://id.loc.gov/authorities/names/n42026802 
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