Reimagining Kenyan cinema /
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Imprint: | New York, NY : Peter Lang Publishing, Inc., [2022] |
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Description: | xviii, 216 pages ; 24 cm |
Language: | English |
Subject: | |
Format: | Print Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/12913131 |
Table of Contents:
- Foreword
- Preface
- Acknowledgements
- Notes on Contributors
- Chapter 1. History of Cinema in Kenya
- Chapter 2. The Rise and Growth of Riverwood
- Chapter 3. Making Films in 21st-century Kenya: A Personal Journey
- Chapter 4. Film Distribution and Marketing Trends in Kenya
- Chapter 5. Subjecthood and Nationhood in Bob Nyanja's Maiooned
- Chapter 6. Reading the Uncanny in the Re-imagination of the Post-Colonial Kenyan Nation in Malooned and Ni Sisi
- Chapter 7. (Re)imagining Ethnic Politics in Kenya through Film
- Chapter 8. Revisiting the Past, Envisioning the Future: An Allegorical Reading of From a Whisper (2008) and Something Necessary (2013)
- Chapter 9. Kenyan Cinema and Intercultural Communication
- Chapter 10. Mediating Everyday Violence through the Film, Otto The Blood Bath (2009)
- Chapter 11. Performing Identities in Emerging Kenyan Screen Stones: Reading the Meanings of "Man" in Machawood Festival's Wakamba Forever and Love Daggers
- Chapter 12. Women Feature Filmmaking in Kenya
- Chapter 13. Judy Kibinge: An Interview
- Chapter 14. Visibilizing Morality in Kenyan Film
- Chapter 15. Transient Figures and Moral Ambiguity in Kenya's Fugitive Cinema
- Chapter 16. Censorship and Kenyan Cinema
- Index