Annette Kierulf, Caroline Kierulf : to make a world /

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Bibliographic Details
Imprint:Berlin : Hatje Cantz, [2022]
©2022
Description:250 pages : illustrations (chiefly color), portraits ; 32 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12987081
Hidden Bibliographic Details
Varying Form of Title:To make a world
Other authors / contributors:Berman, Patricia G., writer of added commentary.
Konow Lund, Lotte, 1967- writer of added commentary.
Veiteberg, Jorunn, 1955- writer of added commentary.
Kierulf, Annette, 1964-
Kierulf, Caroline, 1968-
Sandvik, Frode, editor.
Bergen kunstmuseum, host institution.
ISBN:9783775754286
3775754288
Notes:Exhibition: "Annette Kierulf and Caroline Kierulf. To make a world," KODE Bergen Art Museum, Bergen, Norway, October 7, 2022-January 22, 2023.
Includes bibliographical references.
Summary:Seit Mitte der 1990er-Jahre praktizieren Annette und Caroline Kierulf in ihren eigenen Worten ?Holzschnitt als Kulturkritik±. Anknüpfend an die Geschichte des Mediums als Lommunikationsmittel und Protestflugschrift, geht es den norwegischen Künstlerinnen um die Wiederbelebung des Holzschnitts als diskursives Werkzeug. Mit visuellem und intellektuellem Witz nutzen die Schwestern die grafische Reduziertheit des Low-Tech-Mediums Holzschnitt, um den sozialen, wirtschaftlichen und kulturellen Wandel, der unsere High-Tech-Gesellschaften prägt, kritisch zu reflektieren. Während Caroline Kierulfs Werk die oft übersehenen Aspekte des Alltags erforscht, konzentriert sich Annette Kierulf auf eine feministische Neuinterpretation des Landschaftsgenres. Die Publikation gibt Einblicke in die Produktion und Arbeitsweise sowie die langjährige Zusammenarbeit der Künstlerinnen.00Exhibition: KODE Art Museums and Composer Homes, Bergen, Norway (07.10.2022 - 22.01.2023).
Since the mid-1990s, Annette and Caroline Kierulf have practiced what they themselves call "woodcut as cultural critique". Drawing on the medium's rich history as a means of communication and protest, the Norwegian artists strive to revive woodcut as a discursive tool. With subtle humor, the sisters use the visual reductiveness of the low-tech medium to critically reflect on the social, economic, and cultural changes shaping our high-tech societies. Incorporating references to pop culture and folk art, Caroline Kierulf's work explores the often overlooked aspects of everyday life, Annette Kierulf focuses on a feminist reinterpretation of the landscape genre. The publication provides insights into the artists' production and working methods, as well as their longstanding collaboration. Oslo-born sisters ANNETTE KIERULF (*1964) and CAROLINE KIERULF (*1968) have played a major role the revitalizing of graphic art in Norway. Both studied at the Academy of Art and Design in Bergen, where they also work today. As independent artists they develop their works in an artistic dialog and have for many years collaborated on exhibitions in Norway and beyond. --
Other form:9788245043709 Norwegian edition
Standard no.:9783775754286

MARC

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245 0 0 |a Annette Kierulf, Caroline Kierulf :  |b to make a world /  |c text by Patricia G. Berman, Lotte Konow Lund and Jorunn Veiteberg ; editor, Frode Sandvik. 
246 3 0 |a To make a world 
264 1 |a Berlin :  |b Hatje Cantz,  |c [2022] 
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500 |a Exhibition: "Annette Kierulf and Caroline Kierulf. To make a world," KODE Bergen Art Museum, Bergen, Norway, October 7, 2022-January 22, 2023. 
504 |a Includes bibliographical references. 
520 |a Seit Mitte der 1990er-Jahre praktizieren Annette und Caroline Kierulf in ihren eigenen Worten ?Holzschnitt als Kulturkritik±. Anknüpfend an die Geschichte des Mediums als Lommunikationsmittel und Protestflugschrift, geht es den norwegischen Künstlerinnen um die Wiederbelebung des Holzschnitts als diskursives Werkzeug. Mit visuellem und intellektuellem Witz nutzen die Schwestern die grafische Reduziertheit des Low-Tech-Mediums Holzschnitt, um den sozialen, wirtschaftlichen und kulturellen Wandel, der unsere High-Tech-Gesellschaften prägt, kritisch zu reflektieren. Während Caroline Kierulfs Werk die oft übersehenen Aspekte des Alltags erforscht, konzentriert sich Annette Kierulf auf eine feministische Neuinterpretation des Landschaftsgenres. Die Publikation gibt Einblicke in die Produktion und Arbeitsweise sowie die langjährige Zusammenarbeit der Künstlerinnen.00Exhibition: KODE Art Museums and Composer Homes, Bergen, Norway (07.10.2022 - 22.01.2023). 
520 |a Since the mid-1990s, Annette and Caroline Kierulf have practiced what they themselves call "woodcut as cultural critique". Drawing on the medium's rich history as a means of communication and protest, the Norwegian artists strive to revive woodcut as a discursive tool. With subtle humor, the sisters use the visual reductiveness of the low-tech medium to critically reflect on the social, economic, and cultural changes shaping our high-tech societies. Incorporating references to pop culture and folk art, Caroline Kierulf's work explores the often overlooked aspects of everyday life, Annette Kierulf focuses on a feminist reinterpretation of the landscape genre. The publication provides insights into the artists' production and working methods, as well as their longstanding collaboration. Oslo-born sisters ANNETTE KIERULF (*1964) and CAROLINE KIERULF (*1968) have played a major role the revitalizing of graphic art in Norway. Both studied at the Academy of Art and Design in Bergen, where they also work today. As independent artists they develop their works in an artistic dialog and have for many years collaborated on exhibitions in Norway and beyond. --  |c Publisher's website 20230814 
505 0 |a Foreword "woodcut as cultural critique" -- To make a world / Jorunn Veiteberg -- Retrospective / Annette Kierulf and Caroline Kierulf -- The jigsaw method / Lotte Konow Lund -- The marsh by day / Annette Kierulf -- Annette Kierulf / Jorunn Veiteberg -- The empowerment machinery / Caroline Kierulf -- Caroline Kierulf / Jorunn Veiteberg -- The forest by night / Annette Kierulf -- Currents / Caroline Kierulf -- The woodcut in and out of time / Patricia G. Berman -- Forms of life / Annette Kierulf and Caroline Kierulf 
650 0 |a Wood-engravers  |z Norway  |x Exhibitions. 
650 0 |a Wood-engraving, Norwegian  |x Exhibitions. 
650 0 |a Wood-engraving, Norwegian  |x Social aspects  |v Exhibitions. 
600 1 0 |a Kierulf, Caroline,  |d 1968- 
600 1 0 |a Kierulf, Annette,  |d 1964- 
650 7 |a Wood-engravers  |2 fast 
650 7 |a Wood-engraving, Norwegian  |2 fast 
651 7 |a Norway  |2 fast 
655 7 |a Exhibition catalogs  |2 fast 
700 1 |a Berman, Patricia G.,  |e writer of added commentary. 
700 1 |a Konow Lund, Lotte,  |d 1967-  |e writer of added commentary. 
700 1 |a Veiteberg, Jorunn,  |d 1955-  |e writer of added commentary. 
700 1 |a Kierulf, Annette,  |d 1964- 
700 1 |a Kierulf, Caroline,  |d 1968- 
700 1 |a Sandvik, Frode,  |e editor. 
710 2 |a Bergen kunstmuseum,  |e host institution. 
776 0 8 |z 9788245043709  |i Norwegian edition 
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