Pontormo and the art of devotion in Renaissance Italy /
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| Author / Creator: | Maratsos, Jessica A., author. |
|---|---|
| Imprint: | Cambridge ; New York : Cambridge University Press, 2021. ©2021 |
| Description: | xii, 261 pages, 16 unnumbered pages of plates : illustrations (some color) ; 26 cm |
| Language: | English |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/13014862 |
MARC
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| 050 | 0 | 0 | |a ND623.P8 |b M36 2021 |
| 082 | 0 | 0 | |a 759.5 |2 23 |
| 100 | 1 | |a Maratsos, Jessica A., |e author. | |
| 245 | 1 | 0 | |a Pontormo and the art of devotion in Renaissance Italy / |c Jessica A. Maratsos, Pembroke College, Cambridge. |
| 264 | 1 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 2021. | |
| 264 | 4 | |c ©2021 | |
| 300 | |a xii, 261 pages, 16 unnumbered pages of plates : |b illustrations (some color) ; |c 26 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 520 | |a "In Italy narrative representation simultaneously played a crucial role in the newly developing realm of pictorial naturalism and acted as a fundamental feature of Christian imagery. Hans Belting, in outlining a significant shift in this mode of art at the time of Giotto, highlights the essential parallels between narrative structure and the Christian faith: "Revelation is told as a biography of Christ ... The truth became visible through the narration of miraculous and significant events, res gestae, in the sense of true and important facts." Over time, however, Belting argues that narrative imagery of the Trecento developed a more complex, communicative language, allowing for psychological interpretation and allegorical readings; "Narrative adopted an instrumental scope.""-- |c Provided by publisher. | ||
| 500 | |a Outgrowth of the author's thesis (doctoral)--Columbia University, 2014, under the title: Devotional imagination of Jacopo Pontormo. | ||
| 504 | |a Includes bibliographical references (pages 217-251) and index. | ||
| 505 | 0 | |a Introduction: Drawing Devotion, Imitating Nature in Cinquecento Florence -- Performing the Passion at the Certosa del Galluzzo -- Pictorial Theology and the Paragone in the Capponi Chapel -- Elusive Rhetoric at San Lorenzo -- A Pontormo Legacy in Florence? | |
| 600 | 1 | 0 | |a Pontormo, Jacopo da, |d 1494-1556 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Pontormo, Jacopo da, |d 1494-1556. |2 fast |0 (OCoLC)fst01428036 |
| 650 | 0 | |a Christian art and symbolism |z Italy |y Renaissance, 1450-1600. | |
| 650 | 0 | |a Devotion in art. | |
| 650 | 7 | |a Christian art and symbolism |x Renaissance. |2 fast |0 (OCoLC)fst01710941 | |
| 650 | 7 | |a Devotion in art. |2 fast |0 (OCoLC)fst01909462 | |
| 651 | 7 | |a Italy. |2 fast |0 (OCoLC)fst01204565 | |
| 648 | 7 | |a 1450-1600 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Online version: |a Maratsos, Jessica A. |t Pontormo and the art of devotion in Renaissance Italy |d Cambridge ; New York : Cambridge University Press, 2022 |z 9781009037952 |w (DLC) 2021017113 |
| 929 | |a cat | ||
| 999 | f | f | |s 2a64731a-c4c7-4355-8cf0-704ac9e02182 |i 5643b80c-81f3-4d3e-9030-7ed87feb664a |
| 928 | |t Library of Congress classification |a ND623.P8M36 2021 |l JRL |c JRL-Gen |i 13154168 | ||
| 927 | |t Library of Congress classification |a ND623.P8M36 2021 |l JRL |c JRL-Gen |e COCR |b 118474793 |i 10481208 | ||
