Called to the camera : Black American studio photographers /

Saved in:
Bibliographic Details
Imprint:[New Orleans] : New Orleans Museum of Art, [2023]
New Haven : Yale University Press
©2023
Description:226 pages : illustrations (some color) ; 29 x 26 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/13088039
Hidden Bibliographic Details
Varying Form of Title:Black American studio photographers
Other authors / contributors:Piper, Brian (Art museum curator), author.
Mason, John Edwin, author.
Williams, Carla, 1965- author.
Lord, Russell, author.
Taylor, Susan M., writer of foreword.
New Orleans Museum of Art, host institution, publisher.
ISBN:9780300267389
030026738X
Notes:Includes bibliographical references (pages 218-221).
Summary:From photography's beginnings in the United States, Black studio photographers operated on the developing edge of popular media to produce affirming portraits for their clients, as well as a wide range of photographic work rooted in their communities. Called to the Camera offers a comprehensive history of this work, from the nineteenth-century daguerreotypes of James Presley Ball to the height of Black studios in the mid-twentieth century, and considers contemporary photographers responding to Black studio traditions today. In addition to showcasing famous photographers such as Ball, James Van Der Zee, and Addison Scurlock, this volume brings attention to dozens of other artists across the country, including Florestine Perrault Collins, Austin Hansen, and Henry Clay Anderson. The book features more than one hundred extraordinary vintage photographs, many of them unique objects and some, like those by the Hooks Brothers Studio, published here for the first time. Highlighting Black subjects on both sides of the camera, Called to the Camera presents a broader and more inclusive history of photography.
Review by Library Journal Review

A scholarly, accessible catalogue accompanying an exhibition at the New Orleans Museum of Art (NOMA) informs about Black American studio photographers' contributions to the medium, and in particular their impact on African American culture. Spanning the 1850s to present and including over 150 photographs, many never before exhibited, this title enriches readers' understanding of the history of photography in the United States in two ways: by considering, as curator Piper writes, "how professional portrait photographers provided an essential means of representation and discovery for Black Americans," and by introducing readers to the artistry, business acumen, and daily hard work these photographers brought to their practices. Work by over three dozen photographers is featured, including James Van Der Zee and Addison Scurlock. The exhibition draws from both NOMA's institutional holdings and from significant public and private collections, including the Schomburg Center for Research in Black Culture and the National Museum of African American History and Culture. VERDICT Enhances understanding of an aspect of American photography not well enough understood until now.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Library Journal Review