Boundaries of the self : Chinese portraits, 1600-1900 /
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| Author / Creator: | Vinograd, Richard Ellis |
|---|---|
| Imprint: | Cambridge [England] ; New York : Cambridge University Press, 1992. |
| Description: | xv, 191 p. : ill. ; 29 cm. |
| Language: | English |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/1312506 |
Table of Contents:
- 1. Introduction: Effigy, Emblem, and Event in Chinese Portraiture. Concepts, Categories, and Conventions. Effigy, Emblem, and Event. Image/Shadow: Mythologies of Portraiture in Chinese Literature. An Outline of Early Chinese Portraiture
- 2. Boundaries of the Self: Images of the Artist in Seventeenth-Century Chinese Portraiture. Chen Hongshou's Interrogations of the Present by the Past. Self-Projections in the Art of Xiang Shengmo (1597-1658). Portrait Professions: Zeng Jing (1564-1647) and His Followers. Yu Zhiding (1647 to after 1716) and Anecdotal Portraiture. Psychologies and Mythologies of the Self: Portraits of Early Qing Individualists
- 3. Role and Representation in Eighteenth-Century Portraiture. The Strain of Artifice and the Disillusionment of Fiction. Figures and Fictions in Early Eighteenth-Century Artist Portraits. Missing Persons: The Portrait Situation. Identities: Presence and Incarnation in Portraits by Luo Ping. Generations: Self-Portrayals of Jin Nong in Text and Image. Spiritual Imitations: Self-Portraits and Figure Paintings in Luo Ping's Later Career
- 4. Portrait and Position in Nineteenth-Century Shanghai. Ren Xiong (1823-1857) and His Self-Portrait. Three Friends: Ren Bonian (1840-1895) and the Image of the Artist at the End of Empire. Glossary of Chinese and Japanese Characters.